The World In A Paper Cup

Aaaaaaaaaaand We're Off

2010-02-28T21:30:00.001-05:00

...to the happy land of

www.theworldinapapercup.com

The archives of TWIAPC have been shifted over there but will remain here too.

Please reset your readers:

Click Here

And I'll see you on the other side.

Good Things To Come

2010-02-28T13:35:00.001-05:00

I have spent the last day and a half transferring the last year + of posts, pictures and links to a new home on my own server. I'm just now putting the finishing touches on adding some new elements and spiffing up the design and, while I had hoped to get at least one new post up on top of all of these shenanigans, it looks like I'm going to need the rest of today to complete the switch. So, I ask for a little patience in exchange for what I hope to be a much spiffier and more consistently updated World In A Paper Cup.

Things to come:
• Review of the Cory Chisel + Dawes show from last week
• A New To Know post busting at the seams with excellent new bands
• A really exciting new video project announcement

A Change Is Gonna Come - Ben Sollee

The Dinosaurs Are Coming!!!

2010-02-26T13:33:00.001-05:00

You've read my praises and know very well the soft spot I have for Dinosaur Feathers. If you're smart you've preordered their album Fantasy Memorial. Now, I'm happy to report, you will get your chance to catch them live. They are performing next Saturday [March 6th] at Philly's newest DIY venue The OX Warehouse with Lonnie Walker, Grandchildren, Ape School & The Armchairs. They'll be back around on the tail end of their tour but, as I like to say, see them early and see them often.

Vendela Vida

Making Time with Neon Indian + Memory Tapes

2010-02-24T13:45:00.002-05:00

Neon Indian
Last weekend brought two hot acts to the stage for Philly dance party institution Making Time. After missing Neon Indian's set at the Barbary a few months ago there was no way I was going to miss them again. Alan Palomo brought his full crew with him and let loose their space pop synth navigated jams. Neon Indian's album Psychic Chasm is the ideal fodder for your home dance party needs but when they bring it to the stage they push and pull at their tracks in just the right ways to create a unique experience that truly rowdies up the crowd. They kept it short, hitting all the popular points like Deadbeat Summer, but promised to come back again soon since they're making the obligatory indie band move to Brooklyn. Judging from their presence on the Late Night TV circuit I'd venture a guess that the next time they come through town it'll be at a larger venue. Glad I saw them when I did.

Memory Tapes

Memory Tapes quickly made their way to the stage after Neon Indian and soon held the attention of all in the room. I was expecting a simple replay of what you get from their recorded stuff - this wouldn't have been bad at all since Making Time is, at its core, a dance party and Memory Tapes have mastered a real nice funky smooth dance vibe - but I was elated to find a far more dynamic set. New Jersey native Davey Hawk, while backed by a good bit of electronic instrumental support, also had a tight live drum accompanying his guitar lead. The nuance of Memory Tapes' arrangements really popped in the live delivery. They satisfied the movers in the crowd by remaining incredibly danceable while those there to watch got plenty to enjoy. It was a very satiating performance and perfect for the Making Time standard.

Neon Indian- Deadbeat Summer (Daytrotter Session)

Memory Tapes - Bicycle

An Assortment of Informations: A Sunny Day In Glasgow + Weathervane + Rosie & Me + Vinyl & Vodka

2010-02-21T21:48:00.000-05:00

A Sunny Day In Glasgow
One of my fav Philly acts has created a really awesome video for their single So Bloody So Tight. They're currently on the road for a bit of epic touring so do your best to check them out, that is if they don't disappear into the surroundings.

Rosie & Me

I received a delightful email from Rosie & Me last week with their new EP Bird & The Whale enclosed. As I expected the 5 tracks contained therein were fantastic. Their playfulness is intact as are the simple twee leaning lyrics. Heres a taste but I strongly recommend you go get the rest and stock up on their older stuff too.

Bonfires

Weathervane/ Shaking Through News

Following on the tails of Sharon Van Etten's session Weathervane, in partnership with WXPN, announced the second artist to be included in the Shaking Through series. Sonoi ,a rock trio from Chicago, was selected by Daniel Smith (Danielson) who is curating the first season. You can check out their studio session as well as their single (below).

Shaking Through: Sonoi from Weathervane Music on Vimeo.

Micro Coliseum

Vinyl & Vodka Magazine vol 2

Finally, the second issue of Vinyl & Vodka has been released. Continuing with the quality content and also with the accompanying Vodcast. This time dedicating their work to Alexander McQueen, the fashion designer who took his life earlier this month. It is a great read so give it a perusal.

New To Know: The Zookeepers + The Pearl & The Beard

2010-02-19T06:13:00.002-05:00

The Zookeepers

There is a level of cheekiness and experimentation found on each track of The Zookeepers new album Good Looking Out. There is a lot of sound piled into this record but the New England quartet holds off on mashing everything together and making it real loud like a lot of bands do these days. Instead, they nibble at synth pop, silly punkishness and really simple piano driven indie sounds. Gula Gula comes off all chill but they play around with it just enough to tease your ear. Lady Gaga is an ADD romp through sampling and hooks that plays a bit like a nervous breakdown, but in a good way. How do they pull all of this off without coming off as aimless goofs? They know music. They are comfortable enough to play around and adventure without getting lost. There is room to tighten up their sonic mission but as a way to get themselves out there Good Looking Out gives you a good sense of their skills.
Lady Gaga

The Pearl & The Beard

It is with great embarrassment and even greater pleasure that I am just now posting anything on Pearl & The Beard. They've been making their way into my playlists for a while now and are just about to release God Bless Your Weary Soul, Amanda Richardson so I simply must bring you into the loop. The group has truly grown into a lush and nuanced indie folk group and this album shows the refinement and craftsmanship that has become the hallmark of a Family Records production. P&TB incorporates some traditional folk components like accordion, accapella chorus and simple string accompaniments with excellent results. When wrapped in their strong lyrical delivery each song achieves soul warming status even in the sadder songs. Pearl & The Beard has already come quite a way as artists and if God Bless Your Weary Soul, Amanda Richardson is any indicator the group's evolution holds a lot of promise.
Oh, Death!

VERMONT!!!

2010-02-14T10:04:00.000-05:00

I'm away in Vermont for the weekend enjoying a little down time cooking, listening to music (of course), reading and snowshoeing. But I'll be back next week with the regularly scheduled programming. I hope you are having a spectacular long weekend.

Sparkle - Phish (Live in Worchester MA '93)

Covered In Snow

2010-02-10T22:01:00.001-05:00

Like a whole lotta other folks I've been snowed in today as waves of ice rain, sleet and snow wallop Philly. Snow Days were a rare treat when I was a kid; in Minnesota they pretty much only cancel school when the temps are so cold it is dangerous to be outside. On those chilly days when they did let us stay home my sisters and I would round up our friends and we'd do movie marathons at our house. This usually also included a smorgasbord of comfort food and break to go outside for a little energy release. I have many fond memories of those cozy days with my friends and fam.

The magic is decidedly less palpable as an adult, in particularly an adult who works from home. This morning I was made a little cranky by the prospect of being trapped inside with my work. I'm headed up to Vermont for the weekend so I have scads of work to do before I leave. But, after powering through a good bit of my "to do" list with the help of my stand bys (Ida Maria, Queen, Lookbook and Abba) I was able to settle in and enjoy watching the snow pile up outside. While my chillaxed approach to work after that point, paired with a little whiskey means I still have stuff to knock out yet tonight I thought I would take a moment to provide you all a little Covered In Snow mixtape. Whether you too are tucked in your house for the night or looking out at a sunny sky here is a mix for you.

Lazy (Low) - Mark Kozelek

Winter White Hymnal (Fleet Foxes) - Dirty Mittens

It's Oh So Quiet (Bjork) - Bell

Winter (Tori Amos) - The Accidentals (2004)

Blowin In The Wind (Bob Dylan) - Sam Cooke

Streets of Philadelphia (Bruce Springsteen) - Casiotone For The Painfully Alone

Northern Sky (Nick Drake) - Denison Witmer

Nothing Better (Postal Service) - Ben Gibbard & Jenny Lewis

Some Things Last A Long Time (Daniel Johnston) - Doug Martsch

Time After Time (Cyndi Lauper) - Gonzales & Sia

(thanks to Sheenabeaston for that last one)

All zipped up

New To Know: The Fools + Lookbook + April Smith

2010-02-08T22:49:00.001-05:00

The Fools

The Fools are a Brooklyn duo that, upon first listen, took me back to the early days of Righteous Babe Records, Lilith Fair and Tracy Chapman. When good strong female singers tapped a soulful vein but weren't afraid to really rock out. Jen and Uchenna first met at Rutgers U but they didn't start playing music together until they both moved to NY after college. With Jen on guitar and Uchenna on bass they've matured into quite the bluesy duo. It's not terribly complicated just earthy and enjoyable. The duo currently gigs all over NY so if you're in the area be sure to check out one of their shows.
Good Day

Lookbook

This group is my new obsession. Everything about their high energy synth pop sits well with me. Its got the essential spaztic bump to get a dance party reved up and the kind of clean power vocals that you can't help but jump in on the action. The Minneapolis act consists of Maggie Morrison, rocking the lead vocals and Grant Cutler, on the "beats." Morrison has a direct line to the pop greats of the 80's. Her vocals croon and sail over the dream electroscape created by Cutler's instrumentals. If I were to actually reveal the number of times I've blasted Wild At Heart and danced around my apartment I'd be exposing a little to much of my crazy chic underbelly than is appropriate on this here blog. But, trust me, it's a lot.
Yesterday's Company

April Smith

Toms River, NJ is responsible for yet another fantastically addictive talent on the scene right now. April Smith, like her fellow Riverians River City Junction, has a penchant for up beat good time music. The girl's got pipes; the kinda of vocal strength that allows her to carry off a flawless retro swing sound while still instilling it with a distinctive indie pop freshness. She comes from the kind of hippie/ folk rock up bringing as I but she's managed to use that rootsy influence to ground her music in a classic appeal. It's the confidence in her voice that keeps her music from simple mimicry. She just did a grand Daytrotter session but here is a track of her new album Songs For sinking Ship.

Colors

Pertinent News Items: Learning Music Monthly + Weathervane

2010-02-04T21:45:00.001-05:00

So many bits of news have crossed my path in the last few days regarding items, people and projects I feel need a little of your attention.

To bring season 2 to a close the folks behind LMM relaunched their website. Now, to keep yourself busy while they take a hiatus from bringing you some very fresh material, you can easily sort through the archives and sample tracks from the various monthly themes. This is a project dedicated to reconsidering the many facets of music from album art to instruments. Well worth the price of subscription for season 3 which will kick off May 1.

Weathervane Music

Loosing no steam from last week's announcement of their partnership with WXPN on the Shaking Through music series Weathervane Music released the first track from ST's debut series. Each series will feature the work of an assortment of artists. Documenting the process involved in creating, recording, refining and releasing their work. First up for 2010 is Sharon Van Etten and today they dropped her first track "Love More." Swing on over to Weathervane's site to find out more about the project.

For You

Free Energy

Finally, FINALLY after months of waiting news has arrived about the first album to come from of Philly's own Free Energy. After months of slowly leaking out nibbles of their work they let it be known today that Stuck On Nothing will be released to the masses on March 9th. They also offered up a new track. "Hope Child" can be found over at Pitchfork.

Dream City

New To Know: Wakey!Wakey! + Tom McRae + Fink

2010-02-02T08:28:00.001-05:00

Wakey!Wakey!

Almost Everything I Wish I'd Said The Last Time I Saw You... is the long awaited first full studio album from Brooklyn's Mike Grubbs a.k.a. Wakey!Wakey! After cutting his teeth with a free covers album (something that I have parsed and spread through numerous mixes and playlists), a live album and an EP --not to mention a slew of gigs and a spot on One Tree Hill--Grubbs has really refined his sound achieving stellar status on my indie pop scale. Numerous times, while listening to the album, I found myself paused by his lyrical prowess. Often anchored by his piano playing on previous recordings the introduction of more complicated arrangements on AEIWISTLTISY only serve to build the emotion in each song. The Oh Song mans up with the addition of a burly male chorus while Take It Like A Man weaves in the shrill of the violin to push it off the starting block. It is a great "beginning" for Wakey!Wakey! one that is sure to be followed by even more touring so be sure to catch him when he pass through your surrounds.

Twenty Two

Tom McRae

Some folks with musical chops interpret the burden of such talent as a calling to fuss and refine until every element of their product is perfect. Tom McRae is no such artist. He is the kind of musical talent that takes great delight in the process; prefers to bask in the experimentation and possibility. On his fifth studio album Alphabet Of Hurricanes his product is the direct outcome of quite a bit of play and shaped by a lot a bit of craft. It's a mixed bag -- as one might expect -- Me & Stetson representing his pop sensibilities whereas American Spirit is a little more alt country. Despite the scatter the assortment is enjoyable as a whole mostly due to the thread of joy in the creation that is found in every track.
Out Of The Wall

Fink

There is a steady cool to Fink's music that plays off so cleanly you feel as though you're listening to lead man Fin Greenall's private musings. Without hiding behind all the wit and wile of many of today's artists he plays it as it lays. Having spent a number of years as a DJ dabbling in trip hop and acid jazz it isn't surprising his recent work tends towards the understated. With Fink he has been focusing on a slightly more traditional approach to songwriting. The spectacular Distance And Time has a folkier waft while last year's Sort Of Revolution marks a happy medium between folk and acid jazz. The tracks maintain the cool Fink has come to be known for but there is an touch of soul that cannot be ignored. The title track from Sort Of Revolution spreads smooth crooning vocals over a minimal, but propelling, arrangement. The rest of the album plays out in a similarly chill manner making this the perfect soundtrack for your wind down time.
Sort Of Revolution

Joining The Orbit To Leslie

2010-01-30T23:35:00.000-05:00

A chat with Chris Wood is a whirl wind tour of his musical career; first, his gig as drummer for Downtown Harvest; then, the spacey trip-hop side project Grimace Federation; finally, to his main focus right now Orbit To Leslie. Taking on a new role as frontman Wood has high expectations for Orbit, as well he should. The five piece first began a few years ago when Wood returned to Philly after a stint in LA and wanted a few fresh faces for some jam sessions. He called on a childhood friend, some other well respected local players slapped on a phrase he once saw on an organ effect button and Orbit To Leslie was born. What has come of those jam sessions and a grip of well received gigs is a well rounded and worldly dream rock group. Defined by intriguing percussions and steady vocals the band just released The World Was Saved With Chocolate Cake. The album, initially intended to be an EP, is a direct reflection of the fella's assorted styles. Dipping into a few different pools of influence from afro-pop to echoey garage rock it plays well as a whole with some weaker spots but tracks like Chocolate Cake shine bright enough to pull the weight. The further refinement of their sound that is sure to come from supporting this record will only push Orbit To Leslie closer to their full potential.

The Man To Win It

Chocolate Cake

Late Dose Of Music Videos

2010-01-28T23:05:00.000-05:00

I am spending my evening catching up on some of the movies expected to get Oscar nods which put my in a visual frame of mind. Coincidentally, there have been a few cool videos to cross my path recently so I thought I'd share them with you real quick. Enjoy!
The XX -VCR

Shy Child - Disconnected

Shy Child // Disconnected from Stay Loose on Vimeo.

Criss Cross

Mumford & Sons - The Cave

Little Lion Man

Freelance Whales + Animal Tropical @ Kungfu Necktie

2010-01-28T10:02:00.003-05:00

Last week brought Animal Tropical & Freelance Whales, two very fresh groups, to Kungfu Necktie for a rollicking good time. Going in I knew very little about Animal Tropical - for example, that it's Ah-nee-Mal Tro-pee-Kal - so I was unprepared for the frenzied punkish energy this Miami quartet unleashes during their set. The abstract psych vibe of the music was punctuated by the most fabulous hand gestures by any performer I've seen, quite possibly ever. Despite a broken keyboard the lead singer kept the show going; delivering a unique vocal style I can only describe as a mix of scat and slam poetry. While that description denotes a degree of chaos Animal Tropical's brilliance lies is in their ability to put it out there and still maintain a sense of control. The full package melds a lot of influences and techniques together to create a very distinct sound and an incredibly pleasing live show. I'm eager for them to return so I can get another Tropical fix.

20 Miles

Freelance Whales, one of the rapidly trending bands on the east coast indie scene, brought their plucky troupe to the stage next. Playing pretty much anything they can get their hands on to create a hodgepodge symphony that, when layered under their dexterous lyrical stylings puts forth on hell of a mesmerizing show. As the groups members float around the numerous instruments on stage - changing location with every song - they maintained a consistant thread of tautly harmonized vocals. Hearing Freelance Whales perform live really brought a new weight to their stellar lyrics. While the music doddles between sweet and romantic to playful they manage to steer clear of the precious "twee" territory by keeping things simple and grounded. All five group members were having a good time with each other, which quickly spread into the crowd loosening a few hip shakes from the packed house. Working through most of the tracks on the new album Weathervane during their set Freelance Whales proved they are worth every bit of their buzz. They will be back on March 5th with Cymbals Eat Guitars and Bear In Heaven, get your tickets now.
Hannah

Philly Rocks For Haiti

2010-01-27T17:11:00.001-05:00

Philly is jumping on the good will bandwagon with the announcement today by WXPN, Philadelphia Folksong Society and the Trocadero that they will be presenting Philly Rocks For Haiti on February 4th. The funds raised will go to Haitian Professionals of Philly who will buy and ship supplies to Haiti. The line-up has some major players from Philly's musical community:

Free Energy

Black Landlord

West Philadelphia Orchestra

and acoustic sets by

Get The Led Out

Blood Feathers

This is an excellent chance to get out for a night of fabulous local music while supporting those in much greater need in Haiti.

Get Tickets here or at the Troc box office.

If you can't make it but still like the idea of getting some music for your donation go check out Paste's Songs For Haiti offer

New To Know: King Expressers + State Champion

2010-01-25T08:52:00.000-05:00

King Expressers

First, tricky riffs grab you. Then, horns swell around you and before you know it you're full sucked into the funky sway of King Expressers. This Brooklyn group originally came together in Accra, Ghana and have drawn influence from soukouss - a melding of afro-pop and caribbean rhythms - to bring us this feel good brand of music. The smooth vocals roll over the up beat horns and dare you not to hit repeat. This is the kind of music you play to turn a sour day around.
Real True Story

State Champion

In need of a little raspy southern dive bar rock? Then get a dose of State Champion. Wearing the whiskey dampened traits of classic alt country they fill Stale Champagne with tracks reflecting their gritty roots and proudly imperfect sound. The group's southern fried enthusiasm marks every note on this record. Lyrically they do a fine job cutting a swath through expected territory; family, love & drinking. Building phrases like "tattoo the words forget her where my feather used to be," that intrigue and drwan you in. I have a sense their live show wears much of the rowdiness captured on this homemade record and I hope to catch it soon. Until then I'll be keeping Stale Champagne on my playlist.
Come See What I Have Done

Savoir Adore + Circadian Rhythms At Kung Fu Necktie

2010-01-24T13:45:00.011-05:00

Savoir Adore & Circadian Rhythms took the stage at Kung Fu Necktie this week to mark and early start to my weekend. Circadian Rhythms has been on my list for some time now so I was pleased to finally be able to catch them. Unfortunately, their set left me a little underwhelmed. While I definitely heard the potential for greater things down the road they are still in need of a little refinement. Each song dabbled in a new genre from blues tinged alt country to psych pop and each had its strengths - a brave approach to percussive rhythms that would really shine if played with a little more confidence, for example; however, there lack a cohesiveness that suggests a sense of direction. Their instrumentals were complex and well thought out which made heavy leaning on Beach Boys phrasing and Ary Barroso's Brazil a little disappointing. CR certainly has the musical ability to create something distinct but they need to sit down and decide what that "sound" should be then build their music around that. With a little more focus and work I can see Circadian Rhythms really carving out their spot but right now they are in need of some tightening

Savoir Adore, a band that has received much love from TWIAPC, took the stage next and put on what was probably the best show I've seen them do. Playing songs primarily from their fall release In The Wooded Forest, they won over the crowd and pulled folks in from the bar. Sav Adore's fronters Paul & Deirdre have undeniable sonic chemistry. Her smokey vocals play well with his plaintive indie tuned croon, providing an allure to their pairing that is particularly noticeable in the live show. Their orchestral pop sound is built of deliberately placed synth effects and tight instrumentals. Hearing it live really makes the arrangements pop and the playfulness of the group's stage presence adds a true sheen to the full package. In the previous shows I've seen their only stumble was the flow of their set choices. On Thursday night each song melded well with the next and by the time they reached their final song, an extended version of Bodies, it seemed as if they had just begun. They're going to be out on the road quite a bit in the next few months please do make an effort to see them. Both live and recorded they are a superb use of your hard earned dollar.

We Talk Like Machines
Bodies

Trailer for Weathervane sessions w/ Sharon Van Etten

2010-01-21T13:02:00.000-05:00

Weathervane released this trailer for Sharon Van Etten's session recorded in December. Pairing such a fantastic artist with this incredible project can lead to nothing but brilliance.

Shaking Through: Sharon Van Etten - Coming Jan.26, 2010 from Weathervane Music on Vimeo.

In addition, Weathervane announced a partnership with WXPN on Shaking Through an extension of the Project Series bringing independent artists from around the world in to the Weathervane studios and recording the magic that happens. This is a great new phase for the ambitious Weathervane crew, and I couldn't be more excited to see what is yet to come.

Songs For Haiti: Donate And Get New Music In Return

2010-01-19T13:33:00.000-05:00

Paste has gathered MP3's from a whole slew of fantastic artists to entice you to donate to those in need in Haiti. You shouldn't be waiting for more reason than simply to help others after this tragedy but this is an excellent opportunity to give and hear some new tunes. Money raised will go directly to Doctors Without Borders, Red Cross, and Wyclef Jean’s Yele Haiti Earthquake Fund.

Go here to donate and find out more.

Lonnie Walker

2010-01-19T10:31:00.001-05:00

Lonnie Walker has got something to offer. In fact, they've got the kind of music offerings that takes you back to the days when riffy guitars and keen but off center vocals were first wafting from small clubs. This North Carolina outfit has clearly spent some time with a well rounded garage rock/alternative archive; but, instead of churning out replications they have taken the lessons learned and added a alt country vibe. They dabble in the story telling tradition on tracks like Summertime which builds to what could be called a indie hootenanny jam. They are also capable of slowing down for a little sweetness like the quirky Back Home Inside With You. Lonnie Walker operates on variety levels and each is as enjoyable as the next. They've recently begun a bit of East Coast touring and will be stopping in Philly on Wednesday at DangerDanger gallery. Check out their site for the rest of their stops.

Grape Juice

Compass Comforts

*Photo by Todd Cook

Quarter Inch Arts

2010-01-18T21:27:00.000-05:00

While catching up on my blog reading over at Slowcoustic I stumbled on the local music supporter Quarter Inch Arts. They are dedicated to promoting local music and hosting local artists at the Green Line Cafes in West Philly. They have just assembled a stellar compilation of local artists that you simply must check out. Take a gander at the list below....

Go on to here, download your copy and learn a little more about Quarter Inch Arts efforts.

Boca Chica - Minneapolis

New To Know: Galapaghost + Let's Say We Did + Good Shoes

2010-01-10T15:50:00.000-05:00

Galapaghost

The ukulele has been popping up in indie music with increasing frequency in the last year or so. Usually the tool of twee-ish cutie crooners wanting to up the plucky appeal of their songs. Galapaghost, the brainchild of Casey Chandler, is ukulele centric but more assertive than we're accustomed to hearing. Don't get me wrong, this is far from thrasher ukulele. The lyrics are sigh inducing and the arrangements plod along with just the right amount of quirk. Throughout Our Lost Generation Chandler's voice is the factor that keeps Galapaghost away from sticky sweet territory. While in the higher ranges for a few measures he flexes some range which keeps the music grounded. You're All I Need is prime fodder for a mixtape for your crush while Lost Generation may very well find itself in a sitcom montage. Great weekend listening for you.
You're All I Need

Lets Say We Did

Let's Say We Did are definitely coming from rock and roll roots, mostly of the mid-seventies variety. On their new EP the Swedish group brings the clean lines characteristic of their retro inspiration into the now by fuzzing out the high end and pushing their bass to the front. This isn't complicated music making and there is nothing wrong with that. In fact, I find it most enjoyable. Follow Me Down has enough going on instrumentally to make multiple listens reveal a little something new each time while the lyrics are simple enough to get caught in your head. Its a good start for this Swedish group and I look forward to hearing more from them in the future.
Follow Me Down

Good Shoes

These boys gots lots of energy. The music that makes up their new release No Hope, No Future has the aggressive percussion and jangly guitars essential for good dancing music. Exploring the boundaries of a distinctly indie punk tradition Good Shoes dabbles in the disco realm on Under Control and slows things down to indie pop ballad range for City By The Sea. The arrangement on City By The Sea is deceptively delicate, the product of a group applying an impressive degree of intention to their work. Each track has something to offer and when listened to (and considered) as a whole further depths are revealed. I will admit I am fully addicted to this album and really hope a trip to the US is in store because the live show has got to be incredible.
Under Control

Brand Spanking New Track From Rive City Extension + Win Tickets To See Them Next Week!

2010-01-06T09:34:00.001-05:00

River City Extension were kind enough to share a track off their pending album and AND let me give away two tickets to their show next Thursday (the 14th) at North Star Bar. They're phenomenal live. Raucous and noisy and clearly having a ton of fun on stage. Just the kind of show you want to kick off the year with. So, give

The Ballad of Oregon

a spin and enter your name for 2 tickets to the show by sending an email to twiapc gmail com.

Remix Rehash: E-Six + Mikey Mic + Skinny Freidman + Tom Ato + Dirty Disco + Database

2010-01-04T09:56:00.002-05:00

Haven't posted a remix rehash in a while but I figured it was the best way to ease us all back into the work week after the long holiday weekend. This one has a lot of layers suit your needs, from chair dance party to "one hour to go" amp up, doownload and get back to work!

Skinny Friedman, one half of local dj duo Philadelphyinze, gives a subtle tweak to this XX track. Its smooth with just a skotch more bump to amp the sex appeal. Wonderfully complementary to the original track.
Stars (Skinny Friedman Edit)

E-Six (The Crossfader King) has some skills that unfailingly leave me with remixes that are smile inducing and perfect for ripping me from the clutches of a bad mood. This is my new favorite iPod head bopper. I threw in the equally fantastic (but def. more serious) Won't Go Quietly mix for good measure.
My Boy Lollypop (E-Six Remix)
Won't Go Quietly (E-Six Dub remix)

Tom Ato's work came to me via Music Ninja's year end smorgasbord. He slaps a synth rich disco feel onto the Band Of Horses tune. Pushing the measured plodding of the base track to much more danceable levels Ato gives new life to the indie dirge.
The Funeral (Band Of Tomatoes Remix)

Dirty Disco has the music for you to crank when making a getaway. This spin has thread hollowness that definitely reminds me of the potential to feel alone on the dance floor. Yet the rest of his machinations swell up to suck you into the comfort of the trance-ish beat.
Loud & Clear (The Dirty Disco Remix)

Database , a Brazilian tag team, take this Savoir Adore track and add just enough digital pep to make it even more addictive. Their additions create a new propulsion the pops and whirs in time to the vocals.

MERP (Database Remix)

Mikey Mic

is a Swedish dj who, in a rather bold move, has chosen to tackle Marvin Gaye' s Ain't No Mountain High Enough. While the original is far too deep in my heart to lose preferred status this is an interesting new approach to the R&B classic. Lets call it a thinking piece.
Ain't No Mountain High Enough (Mikey Mic Remix)

Start 2010 Off Right, Check Out Some Fantastic Live Music

2010-01-02T11:09:00.002-05:00

Well, its a whole new year. In fact, its an entirely new decade. Lots to look forward to as TWIAPC rounds the one year mark; more music to share, interviews to do, horizons to expand and shows to see. Taking a gander at the concerts on the docket at Philly's venues for January leaves me optimistic at the many more that are to follow. You can find a whole bunch of Jan gigs on the TWIAPC calendar but there are a few I wanted to bring to your attention...

Rural Alberta Advantage (January 6th Kung Fu Necktie)

If you aren't already onto the path of Rural Alberta Advantage make them one of your New Years resolution. Effortlessly enjoyable indie-punkish-pop that will make a venture out of the house on a wednesday in winter well worth it.

Locksley (Month long residency at the M Room. Every Wednesday night) Just your standard "doo-wop punk" band these fellas are holding down a month long residency at M Room with a rotating cast of openers. They will be gathering a lot of attention this year so I'd say get (a lot of) them while you can.

River City Extension (January 14th North Star Bar)

River City Extension is one of my favorite local live acts. They give you plenty to watch and way more to listen to and all of it is incredibly enjoyable. On the North Star stage this will be a great show. Plus they're opening for the strangely fascinating Swedish band Movits.

Friend's & Family

We Are Scientists + Uninhabitable Mansions (January 20th Johnny Brenda's)

The boys of WAS are touting this as a show dedicated to rolling out new material from their forthcoming album. We're lucky to a stop on this mini album taster tour and it will definitely satisfy fans and newbies alike. Uninhabitable Mansions are the most perfectest group to get this show started.

Ape School + Savoir Adore + New Motels (January 21 Kung Fu Necktie)

This local-ish line up ( Sav Adore is from Brooklyn) is chalk full of promise and a whole lotta talent. Ape School brings good spirited indie psych rock, Sav Adore throws in a touch of synth-loving pop and New Motels contribute a surf rock flavor. This show will leave your ears totally satiated.

Bodies

Fyfe Dangerfield (of the Guillemots) (January 25th World Cafe Live)

Better known as a member of Guillemots, one of my favs, Fyfe is releasing a solo effort this year and doing this little tour thang to support Fly Yellow Moon. It is an excellent endeavor and will surely be a fantastic show.

Freelance Whales (January 22nd Kung Fu Necktie)

Much hyped and for good cause. Freelance Whales are good. Real good. They're quickly ascending the indie rock totem pole and catching them at KFN will allow you to witness them in all their glory in the smallish surrounds. Don't miss this show!

2009: Looking Back pt III

2009-12-27T23:35:00.002-05:00

So far in my look back I've covered 10 of my favorite moments and discoveries. Now we get to the real choice picks from 2009. These are the memories that will always be associated with 2009.

Drink Up Buttercup

This Philly act first appeared on my radar early this year and after hearing a few of their tracks I caught a show of theirs at The Fire. I was immediately sucked into their riotous set and in the subsequent shows I've seen their presentation has just gotten tighter. Busting through their songs with a degree of measured chaos that serves up a whole new level of awesome from what you hear in their recorded material. Playing an assortment of unique "instruments"- garbage cans and toy dump trucks- they often bring the fun straight out into the audience to create a truly memorable experience. James, Farzad, Mike and Ben take great pleasure in getting crazy and drawing their audience right in to the mix. This shared dedication to their stage antics is what makes DUB an act that stands out amongst the masses.

When you're done being mesmerized by their live show and you go back to really listen to them in the privacy of your own home your ear relishes greatly in the grand psych rock elements; jangly percussion, abstract lyrics and echoey vocals. Their Gods & Gentlemen and Lovers Play Dead have been on pretty much every mix tape I've made for people this year. Now that they have their album Born And Thrown On A Hook we head into 2010 knowing there will be much more to love - not to mention lots o' touring- from the guys of Drink Up Buttercup. I'm terribly excited to watch them smash and crash their way through the next year.

Even Think

Bad Veins

The duo behind the Bad Veins moniker are Ben and Sebastien, a pair of Cincinnatians with such a ginormous amount of talent spilling out of their persons it really isn't fair to other musicians trying to "make it." In addition to recognizing their talent they also hold a spot in TWIAPC's memory books because they were my first interview. I went in a little nervous but that lasted for all of two seconds as the guys quickly ordered me a whiskey and the chat commenced. While it wasn't my finest bit of information gathering I walked away with a sense of the smarts and great intention they put into every song. After the talking came the playing and, oh, what a show it was.

Their set was nothing short of epic. Seb is probably one of the tautest drummers out there and paired with Ben's grand musical vision the rush of energy that escapes them on stage is palpable, and noisy. The two are capable of producing a shocking amount of musical noise. And by that I mean they don't forgo musicality in the name of getting loud. They manage to do both...impeccably. I was fortunate to see them at Monolith as well and they were no less amazing. To really tie up their package they have put out a totally addictive album. Gold and Warm needs to be snatched up for a movie soundtrack or simply added to your own.They're going to be on the road in February with The Subjects. Don't miss them.

Gold & Warm

Dinosaur Feathers

My relationship with Dinosaur Feathers is completely categorizable and best summed up with a simple tip of the hat to kismet. I first heard them last spring and wrote them to ask for more info about their addictive indie pop ways. After a few emails lead singer Greg Sullo politely pointed out that we had actually gone to college together. I blushed and a fantastic friendship was (re?)created.

Their music makes it conveniently easy to be a supportive friend as it is delicious and always evolving. Over this year I've had a front row seat to watch them push, pull, poke and prod their skills and potential to create a rich and distinct sound. How close you ask? Well, a great deal of their forthcoming album Fantasy Memorial was recorded in my apartment after their original location fell through. It was an awesome opportunity to see the amount of work and time that goes into recording an album. I have a much improved sense of the process that a song goes through from creation to the completed album that reaches my in box. Not to mention, a whole lot more respect for those albums that are done well.

The finished copy of Fantasy Memorial that made its way into my hands is nothing short of magical; and, yes, there is a degree of admitted bias that may nullify my opinion in your mind but I ask you to give it a listen- once it is released that is- and try hard not to find yourself hitting repeat.

Teenage Whore

Ida Maria

There isn't an album that has served up more personal anthems for me than Ida Maria's Fortress Round My Heart. From I Like You So Much Better When You're Naked to We're All Going To Hell there is something I can relate to in everyone of the tracks on that record. Oh My God was blasted through my stereo, with my stellar accompanying vocals- of course, to an embarrassingly frequent degree through '09. Whether I needed to pick myself up or let myself go Ida had something to offer.

Ida was touring through the US at a rabid pace and I was able to catch her in NY at the Bell House. She didn't fail to meet my expectations of a balls out, crazy awesome show. She's got herself a mean set of pipes and a superb backing band to play off of. As I stood there watching her I realized she is exactly the kind of rock star I would want to be. Brash, honest and talented.

Ida ended up cutting her touring short after once the frantic schedule caught up with her. But I have no doubt she'll be back with something delectable to offer in 2010.

We're All Going To Hell

Frightened Rabbit @ Johnny Brenda's January

Frightened Rabbit's show last January was perfection. The night was unbelievably chilly, the crowd small and the band was at their finest. I'm not shy about my adoration of Frightened Rabbit; their lyrics are sincere and witty, their musical ability is pure and their stage presence is uncomplicated and humble. I had seen them before and I've seen them since and I can say that there was a degree of straight enjoyment on the stage that night that I have rarely seen.

The set covered material from Sings The Greys as well as Midnight Organ Fight. They got raucous at times, Grant wailing away on his drums and Scott revving up the room just as much. The absolute pinnacle of the show was the encore when Scott came out and did a stunningly beautiful acoustic version of Poke. Simple and clean his voice rolled smoothly through this spare rendition. It took my breath away.

Frightened Rabbit has never failed to please in their live show but this was truly one of their best outings. They will, no doubt, be making rounds to support their new album (due at the front of 2010) so be sure to get out and see them.

Poke

2009: Looking Back pt II

2009-12-23T10:27:00.004-05:00

Yarn @ Tin Angel
Yarn is one of those bands that fires on all cylinders at every turn. Their recorded material is stellar but their live show, man, their live show is something to behold. I first heard them when they were slinking about the east coast playing teeny tiny back road venues; so, it was fitting that I saw them at the Tin Angel. (an excellent Philly venue at the smaller end of the spectrum). The entire crew filled the stage and proceeded to rock out. The bluegrass roots of their recorded material was recognizable but in the live format they carried a decidedly more southern rock edge. What really made this concert stand out however was its length and degree of sincere audience engagement. They played for two hours straight, taking requests and riffing off of feedback. Never once during the show was I bored or not blown away by the talent the gentlemen of Yarn possess. I am really looking forward to my next opportunity to see Brooklyn’s finest bluegrass band again.
Lies I've Told

Phoenix @ Monolith

Monolith Music Festival was hit by some unfortunate rains this year diluting the potential for greatness from a stellar line up of acts –including: Yeah, Yeah, Yeahs Rahzel, The Grates, Frightened Rabbit, Edward Sharpe & The Magnetic Zeros etc.- in the beautiful Red Rocks ampitheater. The first full day of the festival was chilly and very very damp. Leaving indoor stages incredibly crowded, outdoor stages unbearably cold and putting folks in maj curmudgeon mode. Not surprisingly though there were some spectacular performances that kept it from being a total wash.

Thunderheist, The Twilight Sad, The Answering Machine, Love Language all put on great shows. But by far the greatest one of the entire weekend was Phoenix’s unanticipated main stage set. They were supposed to play a smaller stage but when MSTRKRFT canceled at the last minute Phoenix rose to the challenge. Without all the right equipment (they didn’t bother to bring everything to CO because the stage was supposed to be small) they went on and played a fantastic mix of new and old tunes. There wasn’t a person in that crowd that wasn’t dancing and a fair bit of folks were singing too. The prevalent vibe when they were done was widespread satisfaction.

1901 (Kolt13 remix)

Weakerthans

When it comes to lyrics there are few bands that are capable of wrapping words around emotions that in their moment of origin are ethereal and difficult to describe, yet no less visceral. The Weakerthans are masters of doing just that; and, they do so in a way that avoids saccharine cliché. When I heard they were going to be playing NY this fall I immediately bought tickets. Hands down one of the best uses of my dollah bills this year.

The show at Bowery Ballroom was like a gathering of friends. Not enough people know about The Weakerthans but when you meet a fellow fan you just know they are “good people.” So, you can imagine, a concert is a whole mess of good people blissing out on the quirk and talent of one of Canada’s best musical acts. They don’t play very much these days so you could tell there was a higher than normal sense of fun on stage as they played a set that scratched pretty much every Weakerthans itch I went in with.

Weathervane Music
Weathervane Music is the kind of project that gives me hope about the future of the music industry. It is a Philly based effort dedicated to building a community of music makers to support each other as well as the greater indie music scene. Each year there a few more established music heads curate a season. Each chooses a couple of acts who are then given time in the awesome Miner Street Studios. What goes on there is recorded both video and audio to share on line with other burgeoning acts wanting to see how a proper studio recording is done. This year saw the likes of BC Camplight & Danielson coming through the door and next year’s line up is equally exciting, Sharon Van Etten just spent some time in the studio recently.

The Weathervane fundraiser this fall was another night of truly likeminded music fans coming together to support a refreshing approach to fostering the future of the indie music recording. It is difficult to convey the quality of skill and passion behind this project and I am honored to be able to watch it grow the its inevitable greatness.

Free Energy Music Video
Last spring I got invited to a little get together by a college friend. A couple of the guys from Hockey Night (a great Minneapolis act that had begun at our school) were in a new band called Free Energy and a few other Carls were going to be recording them for their first music video. I went I saw a whole bunch of great and familiar faces and crammed myself into one of the hottest Northern Liberties basements for a fun set delivered amongst clouds of silver white balloons. It was a beautiful night all around that also included a fantastic bike ride and my friend’s rando kitten stalking.

In the weeks that followed Free Energy kept popping up on my radar and I fully enjoyed seeing the band start getting some much deserved rumblings. Then mid summer the video was dropped and it perfectly captured the essence of the band and that first superb night of summer. I'm expecting big things when their album is released next year.

Free Energy

2009: Looking Back pt I

2009-12-21T21:47:00.003-05:00

I made the decision a little more than a year ago to go ahead and share my personal soundtrack with anyone who was interested. In this last year The World In A Paper Cup has really become so much more than blog to me. It has given me license to truly indulge my curiosity and love for all things music. It has brought people and opportunities into my life that I consider myself incredibly lucky have/still experience(d). It has taught me a whole lot about what it means to be "involved" in music - creating, editing, selling, promoting, sharing, etc. It has made me that much more excited to see what else is yet to come.

These aren't end of the year revelations, I'm pretty grateful every day (now, if someone wants to pay me for writing then I'd be on clound 9); but, I have done some year end reflecting and I have decided to take a more personal approach, something a little more unusual. Instead of amassing a list of the tracks, albums, artists etc. I thought were "best" -- there are fine ranks already out there btw-- I've collected my favorite musical moments, memories, discoveries and happenings from the past year. No need to write it up any more lets get this ball a rollin...

Learning Music Series

This project came to my attention via one of my most trustworthy west coast music advisers; and, I consider it one of the jewels amongst a lot of rough product being released into the music industry ether. It is a music and art project released once a month each with a different theme or story in mind. While the nature of each theme (story, tribute, etc) are various and unique the passion contributed to each compilation and its artwork is undeniable. It is rare to find such dedication to ones craft on such a consistent and enriching level. If you haven't already checked it own do so....now.
Famous

Mono at Wordless Music Series
There is much I could say about the day I saw Mono that made it remarkable beyond the scope of a typical show which is saying a lot because this concert was breathtaking. It was part of the Wordless Music Series an organization dedicated to the similarities and parallels between the classical music tradition and contemporary indie music. They have worked with a wide variety of acts from the likes of Explosions In The Sky to Why? and I was lucky to catch Mono's show at the Society For Ethical Culture celebrating their 10th Anniversary.

While I wasn't familiar with the band going in you'd have to be numb to the world to not feel the intensity of emotion and fan awe in the air while they played backed by a full orchestra. It is truly spectacular to witness both a group of musicians at their finest, as well as, their fans realizing their ultimate audience experience. The chemistry it put into the air was palpable making it one of the most memorable shows I have ever seen.

Kung Fu Necktie Opens
Philly has a whole mess of quality venues; World Cafe Live, Johnny Brenda's, The Church (to name a few). But when Kung Fu Necktie opened it became clear this was just the spot Fishtown needed. With it's cozy booths, crazy bear lights, perpetually running obscure movies and ginormous Tupac painting it has become one of my favorite places to catch a show and a beer.

Tucked away beneath the train they have gen-u-wine A+ bartenders who are always good for a chat and have carved out a reputation for hosting some of the real fresh talent passing through our fair city. The Love Language and Animal Collective's post show spin session are both two acts that pop out of the many KFN shows I have caught this year. If you're in Philly, either living or visiting be sure to get yourself up to KFN. They already have some quality acts on the docket for 2010.
[Fantastic illustration by Michele Melcher www.michelemelcher.com]

Mark Mallman's Show at The M Room
Seeing a Mark Mallman show is a true dose of home. I have many fond college memories of seeing him do his unique version of controlled on stage spazz out. When I saw he was coming through Philly there wasn't anything that was going to keep me from his set at The M Room. Apparently the live show brilliance of Mark Mallman hasn't reached the idle masses in Philly because the show's attendance was embarrassing. But, to be perfectly honest, I didn't mind a bit because I ended up getting the kind of show you couldn't produce if you tried.

Mallman put his all out there; mounting his keyboard like it was a mountain top, singing his heart out, sharing some witty stage monologues and playing the song I requested during our preshow chat. He is keyed into the level of theatricality and skill needed to make a live show more than just a dude on stage singing his music. Mallman does it for his audience (regardless of the size) and because he clearly loves putting on a show. I'm beyond excited to see what else he has on tap for 2010.

Knockout On 22nd St

J Tillman In The Chapel Of First Unitarian
I feel incredibly appreciative for the number of live shows I get to see. From the newer acts just buzzing with excitement to the old hats who know how to put on a show I am continually reminded what incredible music is out there for the having. However, every once in a while there is a show that stands as a reminder of potential a live show has to take that music to a whole new level. J Tillman's show a few weeks ago in the side chapel of First Unitarian Church was just such a show.

The intimate show in the surrounds of the gothic church's tiny side chapel was hauntingly beautiful. Tillman's "solo" album was given pausing depth with the presence of his backing band. The songs off of Year In The Kingdom acquired much more character when delivered straight from the man's lips. Filling the room kept otherwise silent by an audience held captive by what it was hearing. It was a great way to wind down my 2009 concerts.

Though I Have Wronged You

Holiday Music Extravaganza

2009-12-19T23:30:00.001-05:00

Its that time of year again, when musicians either try their hand at covering the winter classics or go even further and attempt to pen the next holiday standard. In the spirit of sharing a little cheer I thought I'd amass some of my new favs for you.

Silver Bells - Anni Rossi

Let It Snow - Julian Koster

Christmas Eve, Driving Home - Frontier Ruckus

River - Lex Land

Mele Kamikimaka (Don Ho) - IAMXL Remix

O' Holy Night - Pattern Is Movement
[update #1: PIM's cover comes from Hometapes' Eight Days of Home Tapes year end project. Check it out; it's lovely.]

& now a few choice compilations for you to check out....

Record Machine's Holiday Compilation

Auld Lang Syne - Sam Billen
In The Bleak Midwinter - Andrew Oconner

Ear Farm's Holiday Charity Album "Do You Ear What I Ear?"

A Day In The Life Of A Christmas Tree - Dinosaur Feathers
Blue Christmas - Sharon Van Etten

Vanguard Records End O' The Year Comp "The More The Merrier Christmas"

The Holiday's Are Here (We're Still At War) - Brett Dennen

And finally a beautiful new video from the ever charming William Fizsimmons

Chris Garneau in The Chapel of The Church

2009-12-13T20:14:00.000-05:00

In the midst of a very busy Euro/Asia touring schedule Chris Garneau made a stop in Philly last Friday. Oh, what a stop it was. He came to the tiny chapel at First Unitarian Church with a modest ensemble, just a cellist and drummer, and proceeded to play a delightful set of new and old tunes. Garneau is himself a tiny fella so the intimacy of the surroundings only served the warmth of his performance.

The brand of music captured on his 2009 album El Radio is piano plotted pop lushly accompanied by multiple vocalists, strings and dodah but when conveyed live there is much more palpable sense of immediacy. Neither album nor performance is superior; both are spectacular.

Live, his staccato vocals are crisply propelled by alternating high-lo chords on the key while the music was kept from floating away by the languid cello lines and taut pace of the drummer. Garneau has an astounding skill for enunciation which is the key to bringing his at times pithy and at others heartbreakingly succinct lyrics. On Over & Over for example he slowly drew us through the frustration and sadness of the song's story and the measure provided by the drummer was the foil to the simplicity of the vocals. His performance on Friday made it very clear he is uniquely attuned to potential weight of instrumentals and words combined.

Amongst the known fair were a few new tracks (one they even strayed from the set list to give its public debut). Preceded by the usual "the arrangement still being sorted out" these songs were still fine examples of Garneau's talent for musical creation. The highlight of these baby songs was the first of a collection he is building from memories of winter he has "stolen" from friends and family. Its a collection I am now anxious to hear completed.

I have been a fan of Garneau's lyrics for a while and hearing them live introduced a new element of theatricality. It would be wonderful to see him with fuller accompaniment but, without a doubt, the 50 or so folks who were lucky to bare witness to this concert (myself included) won't be forgetting it anytime soon.

Dirty Night Clown

Vendela Vida Has Arrived: First Single Off Of Dinosaur Feathers 2010 Album

2009-12-11T09:01:00.000-05:00

This album has been playing, in some form or another (live, in editing loops, mastered), on my stereo for nearly 5 months. I have patiently waited for the ok from Greg to write this very post. Finally FINALLY I can let you in on the first single to be plucked from Fantasy Memorial the absolutely superb debut album from Dinosaur Feathers due out March 2nd. If you want to be sure to get your copy pre-order it from Insound here.

In the spirit of full disclosure I will tell you a very large portion of the album was recorded and engineered in my home. Fortunately, the final product is so spectacular I don't feel the need to do a hard push convincing you of the albums quality. A simple listen to Vendela Vida will whet your appetite for the full serving of Fantasy Memorial in 2010.

Vendela Vida

Stay tuned in the weeks leading up to the release as there will be a few more Dinosaur Feather features right here on TWIAPC.

Blog Goes Mag: Vinyl & Vodka Get It Done!

2009-12-10T21:29:00.001-05:00

The folks over at Vinyl & Vodka have taken their blog and pushed it to 11 with yesterday's release of V&V. It is an impressive collection of music, fashion and culture coverage assembled by Vinyl & Vodka's Willis with a little help from his friends. Every edition will have a podcast to listen to while you peruse the pages and this first release also hold the chance to win a Fader prize pack. Oh yeah, check out pg 47 for a little TWIAPC sighting. I'm really looking forward to seeing where this project goes. You're done here now go there

New Slang - Little My

Living Is Easy With Eyes Closed

2009-12-08T23:11:00.000-05:00

There are two basic motivating forces: fear and love. When we are afraid, we pull back from life. When we are in love, we open to all that life has to offer with passion, excitement, and acceptance. We need to learn to love ourselves first, in all our glory and our imperfections. If we cannot love ourselves, we cannot fully open to our ability to love others or our potential to create. Evolution and all hopes for a better world rest in the fearlessness and open-hearted vision of people who embrace life.

- John Lennon

Today marks the 29th anniversary of John Lennon's death. It is a day that I have marked with some recognition for most of my life. Usually involving a lengthy conversation with my mother recalling where she was when she found out (in the car with my sister) and what he meant to her and her generation. As a child of an entirely different culture filled with louder and relentless opinions, promotions, and declarations I sometimes forget that before Lennon it was rare for an entertainer to use their fame and platform to take a large scale political stance. And it can safely be said that no one's influence rivaled that of the former Beatle.

Lennon used his skill for crafting memorable phrases to transpose messages for the larger social consciousness giving a poignant and unrelenting voice to a massive movement calling for peace. Political peace, social peace, inner peace. It is a timeless cause and his words remain just as relevant now as they did when they were first spoken. Simply reading his words and recalling his actions will remind you of his impact on music, politics and culture. In his wake there have been and will continue to be artists who choose to use their voice to further noble causes but John truly was a pioneer.

I'd like to think my own actions and words pay tribute to his dedication to a greater cultural awareness and in writing this, using my own little platform you may also carry on the spirit of peace and love that was the very heart of John Lennon's work.

You may say I'm a dreamer, but I'm not the only one. I hope someday you'll join us. And the world will live as one.

Imagine - Eva Cassidy
Happy Christmas (War Is Over) - Polyphonic Spree

Music For Your Eyes from Edward Sharpe, Chris Garneau & Why?

2009-12-07T23:06:00.002-05:00

There have been some rather interesting videos in my in-box lately that I feel compelled to share with you if for no other reason than to loosen a smile or giggle from your lips.

First off, Edward Sharpe and The Magnificent Zeros (whom I adore and recently sold out the church) have created a 12 part music video series called SALVO! There is a rather epic sounding story line and from the looks of the production in the first two bits the full offering will play like a short film. It even has a stellar cast for a side project. David Straitharn and Dermot Mulroney both star in the second segment seen below. To get the full effect you should really start at the beginning.

Edward Sharpe and The Magnetic Zeros "KISSES OVER BABYLON" from Edward Sharpe on Vimeo.

Home

This next video is fom Chris Garneau for his lovely little ditty Fireflies. Its based on Legend Of Zelda. Need I say more? Yes, actually... He is going to be in Philly on Friday at the Church for his only US performance amidst his busy European/Asia tour extravaganza.

Its Almost Christmas

Next up WHY? has released a twofer, one video for the first two track from Eskimo Snow These Hands & January Twenty Something. The visuals for each songs is succinct and fit neatly together yet still definitely make your head wander.

WHY? - These Hands / January Twenty Something from anticon. on Vimeo.

This Blackest Purse

New To Know: We Are The Willows + Motorbikes + Sunset

2009-12-04T15:16:00.000-05:00

We Are The Willows
It takes a man dedicated to his art to cast aside social norms, embrace this childlike voice and see what it can do. Peter Miller is such a man. First begun as a side project (Miller is the front man of Red Fox Grey Fox it now holds its own very distinct place in the musical goings on. Miller captured sounds from all over the Twin Cities; the whoosh of the light rail, birds chirping, etc. Matched with his tender and reflective lyrics to create an album that is really a aural tour through his world. Miller's voice is unique (just listen to it and you'll know what I mean) and throughout A Collection Of Sounds And Something Like The Plague it makes pleas, confessions and wails that highlight its intricate potential. I really cannot wait to see We Are The Willows live now that I have had the album on reply pretty consistently for the last two weeks. I sense there are even greater depths to them live.
A Funeral Dressed As A Birthday

Motorbikes
This group is tight and delightful and fun and needs to start putting out more material stat. Fronted by a chap named Paul (who's from Arkansas btw) Motorbikes isn't working to push new sonic horizons rather to create delectably smart tunes. Each a nice little package that sits well in your ear but also offers space for your mind to wander. They have one album to get you started but I'd like to politely request another soon.

Two Tempos

Sunset
I had the real pleasure to catch the fellas of Sunset a few weeks back at the Weather Vane Music fundraiser. While there was already an undeniable good vibe humming through Johnny Brenda's that night these guys brought their own up tempo good times. There are a whole mess of bands bringing back the classic 70's rock sound with varying degrees of success. When it comes to their chilled out instrumental riffs Sunset places themselves near the front of the retro pack. They carve out some distinction with well written and more modernly indie lyrics and vocal performance. Playing with echoey effects at times and dabbling in breathy ethereal delivery at others. I think we shall be hearing a lot more for this Austin band in the tens.
Green Truck

Get Slimed Tonight

2009-12-04T13:09:00.000-05:00

Some of my absolute favorite Philly acts are gathering tonight at The Khyber for what promises to be a block rocking good time (not to mention a quick hop for First Friday activities in Olde City). Be there, get silly and GET SLIMED.

Chang Chang
Kinda like watching a kid masturbate with his own tears in front of his mom. Some rapping may ensue but more than likely ending in a pissy stage. Every wonder who buys those expired stacker2’s from the dollar shore. Sold out.

Ruinit
Grind with your goth girlfriend while contemplating how you will kill your parents in their sleep. Dance your shit off, blogs can't see you!

Man Like Machine
Never will you ever see more panties and bras be thrown on stage by girls who had no clue they just threw their panties and bras on stage. More rock band then you're rock band. Don't tell your parents you snuck out of being grounded.

Menya
Ever step inside of a bubble gum bubble then hot box it. Seeing them will be well worth your allowance. Cuter than puppies dressed as cats.

Deadly Technologies
These dudes do things behind robots that they can't show on tv. Dance, laugh, write your pen pal in japan. Pay attention....they will be your ruler soon!!!

*Note I didn't write these descriptions, that would be Jon Rehr, but hes pretty much spot on with every darn word.

Thanksgiving Treats: Comfort Food For Your Ears

2009-11-28T12:39:00.001-05:00

I think its fair to say covers are the aural equivalent of comfort food; and, because it is tradition to kick off the holiday season with some indulgent noshing I wanted to share some musical nibblings with you. No worries about rocking the elastic waistband while enjoying these snacks. Simply pair with a nice white wine or IPA and no reheating instructions necessary as there will be no leftovers.

You've Got The Love (Florence and The Machine)- The XX

The Wolves Act I and II (Bon Iver)- Ellie Goulding

My Girls (Animal Collective)- Dappled Cities

I Do Not Hook Up (Kelly Clarkson)- The Gaslight Anthem

Psycho Killer (Talking Heads)- Cage The Elephant

Oh and thanks for tuning into The World In A Paper Cup. I'm endlessly thankful for your readership and support.

J Tillman Speaks For Himself

2009-11-25T14:12:00.001-05:00

TWIAPC:In your solo work it is just you and the myriad instrumental lines you've created. How does performing to support this album differ from your other group effort?

J Tillman: We get much louder.

TWIAPC: You clearly have a knack and a comfort level with a wide variety of instruments. Are there any in particular that feel more natural or, conversely, more unusual?

J Tillman: The hammered dulcimer was definitely mysterious territory. Most of the time I really like what happens on an instrument you're not particularly proficient on. It's a very honest sound.

TWIAPC: There is a rather ruminative tone threaded throughout Year In The Kingdom. Was there any one thing or event tumbling around your mind while writing or, do the songs reflect singular moments or ideas?

J Tillman: I spent a lot of time trying to create my own mythology; trying to reclaim certain words and imagery as my own.

TWIAPC: Where did you draw your earliest musical inspiration?

J Tillman: I wrote a lot of poetry as a kid. I had a teacher nominate me for this national children's poetry thing, but I was always in trouble so the school administrators accused me of plagiarism. I think that's when I knew I was on the right track.

TWIAPC: Both your solo work and that you do with Fleet Foxes falls safely in the chamberish folk portion of the genre spectrum. Are there any other "sounds" you've been curious to dabble in?

J Tillman: I can't say I really know what the term "chamber folk" means. I do what I can to confound people who categorize music in that way.

TWIAPC: Coming from Seattle do you identify much with the larger Pacific Northwest community of music makers? How much does that influence your choice of projects?

J Tillman: I can't say I identify with the PNW music community, if that even exists. I have friends that make music, some of it I like and some I don't. I wouldn't say it influences my decision making process.

Earthly Bodies

Give Away! Metric at The Electric Factory 11/25

2009-11-24T19:18:00.002-05:00

I have two tickets for Metric's Philly show tomorrow night (11/25) at The Electric Factory. The first person to @reply me on Twitter gets em.

If you want to get tickets for sure head HERE
and to here is their new Acoustic EP

Remix Rehash:Max Justus + Kissy Sell Out + Downtown Harvest

2009-11-24T10:51:00.001-05:00

I'm long over due for a Remix Rehash but its been slow on the receiving end for quality material. However, there has been a but of really enjoyable electro music to be had so this remix rehash is more electro than remix but, regardless, I hope you enjoy!

Apple Jelly - Kissy Sell Out
This track is pure fun. Kissy brings out play in its full glory. Building from a base that is strictly 80's sitcom montage score he pops it up with catchy lyrics and some tech-tastic loops. What really got me though, was the fact that his still manages to tell a story (with sound effects and all). Kind of makes me wish Perfect Strangers were still on TV cause this would be an excellent candidate for soundtrack.

Ctrl Alt Dance (Coulson's Cheap Arcade Remix)- Max Justus
Seriously addicted to this song. It's clean. It's rooted in video game music tradition. It has inspired a few dance parties of one while on the streets of Philly. There is even a bit of funky rush tucked in there. Don't over think it. Just sit back and let the music do its thing.

Killer Queen Bee - Downtown Harvest
These guys are outta Philly and, quite simply, you should be listening to them. They combines all of my factors from the previous two bits. Video game sample? Check. Montage quality? Check. Gets hips a shakin? Check. Tidy loops? Check.Funk factor? Yup. Unusual? You know it. I'm gonna make an effort to see what they have to offer live but this should satiate me until then.

Laura Veirs at World Cafe Live

2009-11-22T17:36:00.000-05:00

Laura Veirs has an incredibly honest voice, one that avoids the baby coo- slurred words trap that so many female singers fall into. Throughout her show last week at World Cafe Live I couldn't help but be notice how striking, not to mention rare, it is to hear that level of vocal purity.Having originally come to music via Minneapolis' mid 90's punk scene it makes perfect sense that she has maintained a distinct level of straightforwardness even though her solo work is anything but punk. Paired with her nerd-tastic lyrics (she sings of constellations, politics and spelunking) there was really no other option but fall further in love with Ms. Veirs.

Laura and her musical menagerie played primarily from their new album due out in January. The songs from July Flame are a from a wiser place than her previous work and it's sincerity is palpable in her live delivery. When washing through a beautiful track like When You Give Your Heart the group played it delicately yet when the flair of a song like Galaxies dictated it they stepped up the pace and got a little more rock 'n roll. Regardless of the pace though Veirs voice was unchanging in its quality. Maintaining that degree of dynamic range is something those just beginning to explore their vocal potential should study and strive for. Meanwhile, Veirs continues to create one smart and delectable album after another each proving she is also considering her potential with each release.

Put July Flame on your list of albums to buy and try to catch Veirs on this lengthy stint on the road. She's expecting a baby next spring so I'm guessing it will be a while before she is back out on the road.

I Can See Your Tracks

J. Tillman in the Side Chapel at First Unitarian Church

2009-11-20T00:33:00.000-05:00

It was a family affair Wednesday when J Tillman, his brother Zach and a trio of equally ripe musicians held court in the teeny tiny chapel at First Unitarian Church. Zach warmed the small but packed room with his brand of crisp conversational songwriting. A folkie who isn't afraid of dabbling in the some Morricone like soundscapes. Playing his guitar solo Zach's short set help both tender and slightly more raucous moments. It set a very relaxed vibe perfect for the lush set J had on deck.

J is touring to support Year In The Kingdom a beautiful but solemn album of honest observations. A live rendition of the album would have suited me just fine. The cozy venue, early dusk and intense preceding days left me wanting to just sit and enjoy fantastic music. The moment J's breathtaking pure raw voice began though I knew it was going to be far more nourishing show.

To start the set he kept to the path laid out by YITK except when played live by five folks (as opposed to the solo process Tillman used while recording of doing everything himself) the music is much richer and more dynamic. The high carved wooden walls shaped deep tones that Tillman's voice smoothly threaded through. Broken only by a few moments of witty not-suitable-for-church banter the full hour and 25 minute set was intentionally crafted to build as Tillman and his crew pushed the borders of the songs becoming more and more lively.

Deep into the set the reserved nature Tillman et al. had begun with has been abandoned for a more classic rock energy. Never once challenging the skill of the other players this septet played so well together it left me free to watch the how they all fit in instead of being distracted by a solo riff. Tillman led his crew into quite the frenzy at one point kneeling on the ground and letting himself really feel the more vigorous jam and building up a pace that gave new breath to the recorded versions. Tossed in for good measure and was a nice bit of hand clapping and key chain percussion. The music brought me to the edge of my seat more than once during the concert and truly took my breath away with a sparse rendition of Though I Have Wronged you to finish things.

I can safely say this is a show you should really really get yourself to if at all feasible although the perfect alignment of time, company and location will make this a difficult experience to replicate.

Though I Have Wronged You

Contest! Grace Potter & The Nocturnals Saturday at The Trocadero

2009-11-17T13:35:00.000-05:00

Grace Potter & The Nocturnals are joining forces with Sean Bones and Brett Dennen this Saturday at the Trocadero for a night of lovely music making. I have a pair of tickets to give away so either send me an email or nudge my Twitter by 6 o'clock Thursday and enter your name. Hope to see you there!

Luke Doucet @ World Cafe Live

2009-11-16T23:28:00.000-05:00

Luke Doucet swung through World Cafe Live last week, opening for Willy Porter. If you're not already familiar with Mr Doucet, he is a Canadian troubadour straddling the line between classic rock and cat scratch country. His new album Blood's Too Rich is loaded with stories set to twangy guitars and delivered with Doucet's deceptively sweet voice. The tales he spins are drawn largely from his own observations from the road as seen though authentic balladeer's lens; leaving you with a slightly dusty but mostly romantic view of the world.

As a Montana native it is always nice to get a dose of alt country every once in a while so I was looking forward to seeing Doucet do his thing live. The guitar lines were juicy, perhaps a little too much so as they tended to notably counter his smooth and calm vocals. Hearing him deliver his material live carries an air of sincerity that is muted in recording and would have been better accompanied by a gentler guitar line. That being said, he has a true entertainers stage presence; both his skill and easy banter made for a fine evening of music. Next time around I'd love to see him with a backing band to fully complement his vocal potential. If you get the chance to see him, it's definitely worth it. But be sure you grab a copy of Blood's To Rich to really hear Luke Doucet at his finest.

Blood's Too Rich

Music Makers Thread: White Rabbits... Glass Ghost

2009-11-13T12:50:00.002-05:00

The White Rabbits have been laying tracks all over the US this fall and Glass Ghost has been priming the audiences along the way. So, after spending all that time together, it isn't surprising that when asked what band deserved more praise, love and attention they pointed in Glass Ghost's direction. They just released the fantastically surreal Idol Omen which plays like a trippy spin through vividly crisp fall day in a big city. The influences are many, coming from Eliot and Mike's previous dalliances in the funk, hip-hop, jazz and rock worlds. While the tracks stand alone in their refreshingly curious arrangements their true magnificence surfaces when the entire album is taken in one sitting.

Glass Ghost's music represents layer upon layer of unexpected musical combination's that ripple across your consciousness so every time you listen to them you notice new parallels. After having passed it tween my ears more than a few times now I get a very playful sense of anticipation when I try to remember what exactly comes next. My only request is that they get themselves back to Philly so I can catch the live version.

Here is a track but as I said you really need to hear the whole thing so go get your self a copy of Idol Omen.

Mechanical Life

A Quick Vaycay Q&A With Holiday Shores

2009-11-11T21:38:00.002-05:00

Holiday Shores are one of the most enjoyable new acts I've come across this fall. Not only is their album Columbus'd The Whim one you can't help but grin and groove to while its playing but they're also a lot of fun live. They come from the beaches of Florida and their laid back attitude is undeniable in their music and in their general outlook...

TWIAPC: You're sound is very much tied to your Florida/beach roots but did you always aspire to capture a new take on the Beach Boys-ish sonic aesthetic?

Holiday Shores: We love Beach Boys. I think we've all been listening to them since we were very young. So, in a way, we grew up with them and our appreciation for that massive turn in pop music has only grown as well. Influence is a hard thing to trace, but when you've listened to an album like Pet Sounds, or even just a song like Surf's Up, a million times, it will probably make it's way into your own output, even in very small ways. I think for us, much of the Sixties music we heard as children became our roots music; we didn't know anything else for awhile. So, to hear any comparisons with our music to that music is such an honor. The sound that Brian Wilson created is unparalleled and always will be, but it is also uniquely inspirational and I think we'll always draw from that.

TWIAPC:How has the group evolved during the recording and touring process?

HS: The group has gone through a good amount of changes in the last year. Just before the recording began last winter the line-up began to change and dwindle when responsibilities with school increased. Many times, whole parts of songs would be completed solely by Nathan in his bedroom, or just a couple of us in the living room. However, a song like Edge of our Lives might be the best example of a group effort, as it was worked out during practices for some shows we played around that time. This summer the line-up changed again with the addition of PJ on bass and Clayton on drums, neither of whom played on the record. At home, we tried to play as many as we could with two drummers, but for touring we actually had to split up the duties because neither drummer could be out for the entire 5 weeks. Our CMJ run was carried out with Clayton, and our Evangelicals tour has been held down so solidly by Ryan, who flew to Phoenix to meet up.
Due to the nature of the recording process, the songs take on varying new colors when performed live, and I think this is something people would probably have to just see us, to see.

TWIAPC:I understand vintage equipment was a rather integral part of the recording process. What did that list include and what are some of their finer contributions on Columbus'd The Whim?

HS: Well, we've all been fortunate enough to come across some awesome, affordable, older gear. Nathan swears by his early 80's Juno-60 and hopes for the best with old Farfisa organs found for cheap. A song like Days Drag really benefits from the amazing patches on the Juno, and the shimmering wash a Farfisa can provide. Coupled with a few pieces of old drum sets, we were able to use a great amount of vintage equipment on the record, from a nice old Sunn bass head to a beat up 60's Fender Jaguar. If you can't have much good recording gear, you might as well get the sweetest sounding musical equipment you can find.

TWIAPC:What prompted the change from Continental Divide to Holiday Shores?

HS: We had been thinking for awhile that Continental Divide didn't mean much to us personally (we had never seen the Continental Divide until yesterday) and on top of that, there is a Bluegrass Group called Continental Divide who had the name long before we did, and probably use it to greater effect. Right before the record was going off to get mastered, we were all racking our brains for a better, more meaningful name. So, one night, as we were signing rent checks one of us looked at Nathan's street address on the check and said, "Holiday Shores...we should just call it Holiday Shores." Naturally, the name rang deep within Nathan's psyche as it was the street he lived on for much of his adolescent life. But for the rest of us it had no street-name connotations, but rather more restful, new beginning, feelings. "Holiday" is a great word that simply means, a day to remember, a day of celebration, a day of rest. There are a bunch of little communities around the country called Holiday Shores, and most of them are on lakes. I think for us, the name signals a cause for celebration, like an explorer finally reaching a place they can settle down in.

TWIAPC: I've seen you twice now and there is such a chill vibe, which is reflected on the album as well, and you seem to let your instruments and vocals wander within the parameter of your lyrics and arrangements. Is it a matter of well rehearsed or planned chill-ness or genuine looseness?

HS: Hey, thanks a lot. I think this may come from a comfortable feeling we all have playing with each other, and playing live in general. Honestly, its a vibe that comes to us when the music feels good, and that's really great to hear that it's evident. The songs have always felt malleable to us, and in that sense we are able to work within parts and make changes while we move through a song, if the spirit leads...haha.

Holiday Shores are playing Kung Fu Necktie next week (Nov 17th). Don't miss it.

--Phones Don't Feud--

New To Know: Brazos + Anders Ponders + Sergeant

2009-11-08T20:12:00.002-05:00

Brazos
There is something so casual and smooth about this Texas trio that makes their music ripe for the movie soundtrack picking. On tracks like For So Long Now, the vocals are parsed from the instrumentation in a way that lends it feeling of a lilting conversation. Then in a quick turn to Kid they push out an appropriately playful arrangement while maintaining the story telling lyrical approach. This music is constructed with a engaging intent and intelligence that, as a whole, reads like a landscape witnessed from the passenger seat during a road trip; every element unique but threaded together by proximity and the familiarity of the frame. They are out on tour with White Denim (including a stop in Philly on November 13th at Kung Fu Necktie)
Day Glo

Anders Ponders

There isn't a single second in Anders Ponders' new album Nodes Of Overtones that isn't completely nourishing for your soul, ears and heart. This Minneapolis artist possesses a pure wit which leads to some incredible turns of phrase (see the Discus Incident) and when combined with his lush instrumental arrangements causes your cheeks to blush with excitement. Ponders explores mythology, astrology and opera with a whimsy and curiosity that are undeniably evident in this collection of seven ditties. Building from a viola base Ponders creates intricate arrangements of instruments and vocals to wrap around his words and ultimately his audience. This will undoubtedly be on my winter soundtrack and I unreservedly demand you give it repeated listens to, please. Nodes of Overtones is out on the 10th.

Pomegranate

Sergeant
To round out this edition of NTK I give you this grand Scottish quartet. Influenced greatly by classic UK pop they boys of Sergeant have clean instrumental lines and simple narrative lyrics suggesting maybe the slightest country leanings. Choosing to avoid building the next epic pop ballad instead they include just enough guitar, percussion and vocals to achieve their goal placing them out in front of a mess of bands muddling trying to include all the catchy/trendy/jangley components they can get their hands on. The music Sergeant is making is good clean fun that will take you back to simpler times. Toss in their self titled album and clear your head. They are yet to make it over to the US but if your luck enough to be in the UK they're all over the place for the next few months.
It All Comes Back To Me

Remix Rehash: Duossuedo + Burns + Alan Wilkis

2009-11-06T09:50:00.000-05:00

Duosseudo

Bertie Blackman's song Thump is originally intended to accompany a late night walk; and, indeed, it does tunes you into that sense of organic rhythm. The Duosseudo kids push it to a more fevered pace while maintaining its smooth soulfulness. Its a perfect iPod night cap jam.
Thump (Bertie Blackman) - Duosseudo Remix

Burns

Canadian DJ Burns is at his foot movin hip groovin best with this track. Its the kind of tune you can have on in the background and dip in and out of your chair dance as your attention span sees fit. I recently did a all night drive and this was a staple on that soundtrack. Burns is out on tour with DeadMau5 including a stop in Philadelphia on November 22.
Burns- FrankMusik - 3 Little Words (Burns Back to 96 remix)

Alan Wilkis

This one straight up rocks. Wilkis knows how to give a track a real spit & shine freshness. His treatment of this Shwayze bit even inspires a little thrash rock out. This is must for your gym mix. It gets your pulse up and your energy pumping. His Pink and Purple is also worth your exploration.
Get You Home (Shwayze)- Alan Wilkis Remix

Kung Fu Necktie 1-2-3 : Pink Skull + Ramona Falls + The Subjects

2009-11-03T21:20:00.002-05:00

There have been some fine one off shows at Kung Fu Necktie lately. Acts that, in the chaos of the last few weeks, were threatening to get lost in the maze the can be my mind. In order to prevent these beauts from getting lost in the shuffle I thought I'd throw them together in a potent post of quality gig reviews.

Pink Skull

Philly psych-rock-electro act Pink Skull brought their A game to KFN a few weeks ago. They also brought some of the new funky business off of their soon to be released album Endless Bummer. For those of you unfamiliar with the group, they are quartet of ridiculously taut musicians lead by the feisty Julian Grefe. Whereas in a lot of bands who employ a strong electro component there is often a lack genuine musicality when performing live the exact opposite is the case when you witness Pink Skull in action. You notice the incredibly tight drumming busting out of the back and fresh bass lines countering the rowdy rhythms produced by the mechanical instruments. You also notice you're moving your hips and, if you're willing to just give into the visceral effect of Pink Skull's music, you will soon be dancing your ass off. Its the ideal blend of a rock show and mindless dance party. The material on this new album is, by far, their most consistently enjoyable. Be sure to catch them live while they get out and about to support Endless Bummer.

Endless Bummer comes out Nov. 10 on RVNG

Wholehearted Mess (Pink Skull remix)

Ramona Falls

Ramona Falls came to my full attention at the suggestion of Greg Sullo (lead singer from the band Dinosaur Feathers). Prior to that I had heard a few songs of theirs but never given them a true dedicated listen. So, I didn't really know what to expect of the live show. What you get when Brett Knopf and his troupe take the stage is something so distinct and sincere you almost feel as though it is a bit of musical theater. Brett's delivery is emotional and tender, appearing to come from a very unique place, and gently draws you into that world. His band puts an equal amount of themselves out there as well. The drummer was truly a wildly talented and physical sight to behold. The visual intrigue is matched by the intelligence of music something that is far more apparent when heard live vs the recorded material. I couldn't recommend a show more highly. Catch them if you can.

The Subjects

It isn't an easy task playing a week night set in a city enthralled with their team's World Series performance. It is an even rougher spot when one of your co-performers has had to cancel due to van troubles and the other act (ahem Cheers Elephant ** I would like to apologize I was miss informed. They showed but in house canceled the rest of the show**) is a no show. Yet The Subjects fellas went on like it was any other show. Theirs is such a purely enjoyable variety of indie pop that when you get their songs stuck in your head (and trust me you will) it doesn't annoy you it just makes you want to listen to some more. While they do have a slightly more reserved stage presence they present their stunningly witty lyrics and well woven instrumentals so cleanly you don't really recognize how quality their offerings are until their done and you've begun reflecting. You catch a little bit of this vibe on their record but it is so much more delightful to get the live effect.

Winter Vacation

How Can You Actively Support The Music You Love? Read this article...

2009-10-31T11:06:00.000-04:00

This morning Brian McTear, the founder of Weather Vane Music Organization, posted an article he originally wrote for the Future Of Music Coalition. It is a very worthy read about how you, as a fan, can best support your favorite bands and music makers.

"With the traditional music industry in a state of what could safely be called disarray, there isn’t a ready-made recipe for sustainable careers. The good news is that people still put their hearts and souls into making music, and there are still plenty of fans out there that want to support creators."

Seeing bands live is usually my first suggestion - It pays in both money and spirit - but McTear goes above and beyond with detailed list of ways you can contribute. Please take a moment to read the article and if you have a little bit of extra money I can't imagine a better investment than to donate to Weather Vane's kickstart campaign.

On a similar note, I discovered this really interesting site called Better Than The Van

These folks are trying to build a community of music lovers who may be willing to donate a couch or perhaps a aero bed action for bands that ae touring the country. If that sounds like your kind of jam check them out. It is a v. direct way to support musicians trying to "make it" out there.

Don't Stop Believin' - Badly Drawn Boy

At The Hop With White Rabbits

2009-10-29T09:29:00.005-04:00

TWIAPC: I wasn't surprised to read that your work is influenced by classic ska bands like The Specials, there is strong evidence on that in your sound (in particular in your syncopation). Where else do you draw your inspiration from?

Mostly life. But, musically we are all over the place. We definitely don't want to be a rock band that just regurgitates rock music. There's no challenge in that...but a lot more money. We try to mix things up enough so you don't really know where it came from and you can just listen to the music, or at least listen. That is always the goal. But, you know how people are.

TWIAPC: The Physicality of your live show is astounding. Did that come about organically or did you develop the groups stage presence intentionally?

Thank you. There is nothing premeditated about our show. That is how we paly music and if you go to enough shows you can see that. But, on a personal level, I can't stand bands that just stand there and expect that to be enough. Or have [when they] have costumes and no songs.

TWIAPC: Considering White Rabbits first formed in Missouri how do you feel about being classified as a "Brooklyn Band?"

If it makes people sleep better than I'm fine with it. I really don't care where a band is from as long as they're good. Especially since we spend so much time on the road [we] rarely have time to see local bands or identify with being just a "Brooklyn Band."

TWIAPC: I've heard you guys do some pretty impressive covers. Are there any groups or albums you'd like to tackle that you haven't already?

We have just started covering "Sheila" by Atlas Sound. We learned it right before the tour and have been playing is almost every night. We all think Bradford Cox is a really great songwriter and Logos is a really great album.

TWIAPC: It seems you've been all ove promoting It's Frightening, have there been any surprising audience or favorite new venues?

The Bottletree in Birmingham, AL is top notch. As far as audiences Denver is never short of Energy and we love them for it.

TWIAPC: Have you already started formulating a plan for the next album or, is it time for the ubiquitous side project/break?

Not quite; but, we're always working all the time so you never know.

--
The White Rabbits are on the road and as a three show veteran I simply insist you hunt for the opportunity to see them.

Percussion Gun

CMJ in Pictures

2009-10-27T22:40:00.002-04:00

CMJ was last week and since I was up in New York anyway I took in a little of what the famously chaotic week had to offer. There were so many incredible showcases it was difficult to choose and despite my best intentions there was no way I could catch everything on my list. I did get to hear a lot of fantastic music though and I'm excited to see these bands bring their show through Philly so I can give them due props.

I'm taking the visual approach to this review so enjoy the scroll...

Mumford & Sons @ The Mercury Lounge

Little Lion Man

The Answering Machine @ The Cake Shop

Drink Up Buttercup @ The Delancey

At Johnny Brenda's Nov 11

Javelin @ Mercury Lounge

At Johnny Brenda's Nov. 3 w/ The Very Best

Lovvers @ Brooklyn Bowl

Wasted Youth

Kaiser Cartel @ The Living Room

Savoir Adore @ Brooklyn Bowl

We Talk Like Machines

Check out the rest of the photos fom the week at TWIAPC's Flickr Page

New To Know: So Many Dynamos + Backwords + Sunny Day In Glasgow

2009-10-21T10:03:00.001-04:00

So Many Dynamos
This Missouri foursome is addictive. Their music goes deep; catchy at first listen, witty and alluring on the second go 'round and finally, as you listen to it even a little more closely you note the complex proficiency. Its is a pop-punk influenced by the mechanized beat of video game soundtracks. Their bio aptly calls them spaztic but with the amount of attention they give to creating chord changes that catch you off guard and phrasing that separates them chaos to what I would call intentional spaziness. Give them a listen. I'm sure you'll find something that will hook ya. They are also on the road (mostly east- including a CMJ stop on the 22nd) and you know you wanna see this live.
New Bones
Backwords
The best way I can describe Backwords music is to say they mosey. They mosey through western, lo-fi, folk, pop sound to create a easy on the ears & light on the soul. They skitter on the edge of any single definition while avoiding getting too caught up in the traditions of any one genre. For many groups this would mean a jumble of musical ideas landing all of the place. Backwords, however, manage to pull in these assorted inspirations to create a consistent sound fancied up with truly enjoyable lyrics worked in there. Now that this Philly/Brooklyn based group has a firm grip on their sound I look forward to seeing how/if they push it in new directions.
The Beggars And The Bread
Sunny Day In Glasgow
This Philly band's shoegaze music washes over, under and around you. Ethereal and sweet they evade any abrupt or disjointed musical transitions. Instead layering airy loose guitars & synths with fantastic dreamy lyrics. SDIG makes the kind of tunes I'd listen to while studying, were I still in school. Alas I am not in school but still really love these guys. They have a rotating list of band members some appearing on both record and live while others simply show when they can. Still, they manage to convey their intricate arrangements whether there are 4 or 8 people involved. I consider them a stellar example of the variety of incredible music coming out of Philly these days. They are about to adventure around the East and midwest ending up home at Johnny Brenda's on December 15th.
Ashes Grammer/Ashes Math

Housekeeping: Weathervane Music Fund Raiser + Learning Music + NPR and so much more

2009-10-16T12:12:00.000-04:00

Its been a productive, albeit ADD, day for me today. In all the hubub a few notions, news bits & links have risen to the top of my consciousness and I wanted to share'em with you.

Weathervane Music Project, a fantastic Philly venture aimed at building and supporting the local music community is having a fund raiser on Nov. 12 at Johnny Brenda's. BC Camplight, Danielson, East Hundred and Sunset will all be performing. Get your ticket here or simply donate to Weathervane's Kickstarter campaign.

Learning Music Series October edition is quite possibly my favorite to date. The Johnny Pride Story has a great backstory and includes rerecordings of his work as well as new conceptualizations. Its most definitely worth your ears and effort. Famous is the single but the full download is amazing!

Also, I would like to use TWIAPC platform to encourage you all to support your local or preferred public radio station. I have been lucky enough to live in cities with incredible public radion, both news and music and membership was one of my first post college "grown up" investments. Thanks to web streaming even if you're local station isn't your fav you can listen to broadcasts from other markets. They really need whatever you can offer to continue to bring you quality content without the influence of commercial investors. The public radio media model has long inspired me to seek (and create) out real news and music coverage. These are the stations I currently support

Philly : WXPN WHYY Y-ROCK

Twin Cities: KNOW The Current

But there are many many other fantastic stations out there. Find your local broadcast here.

Hey look I have a new logo (which will be fully incorporated in the new layout debuting soon) thanks to the marvelous Daniel Gauthier and...

I finally got around to creating a facebook page for TWIAPC where I'll be sneaking in lazy lady posts every once in a while as well as some other random surprises. Check it out and become a fan... Facebook page

Last morsel to make you smile... Pattern Is Movement's cover of Crazy In Love.

Now I'm donzies. Ciao

Remix Rehash: Pretty Girls & Lasers + Darklord + DJ Chachi

2009-10-16T07:45:00.003-04:00

Summer got a little bow of the head earlier this week with less than October temps in the 70s. It coincided with the delivery of this full on party mix provided by the boys of Pretty Girls & Lasers.

Summer Mix (part I)

Summer Mix (part II)

Next up...
This one is definitely thinking mans electro. Mixed by Darklord and produced by Shawn Ryan its the kind of jam I'd use if I were doing a haunted house. Perfect for a mellow, and a little spooky, fall night.

Il Suono Scuro

Finally, to keep you moving (ie warm) for the first few really chilly fall days I give you two by NY's DJ Chachi. Whether you need some jams while you prep for a night out or you're hosting the party at your place drop these in the mix and enjoy! If you're really feeling ambitious take a gander at his schedule and get the mix live.

Goldspun Mix

Chachi vol 1

Ruby Suns + The Dodos @ First Unitarian Church

2009-10-14T15:09:00.002-04:00

The Ruby Suns and The Dodos brought a refreshing dose of intelligent indie pop to The Church this week. I have been a fan of New Zealand's Ruby Suns for a while but hadn't had the chance to see them live until now. They have a really unique sound; piecing together sonic collages taken from numerous and varied sources. Recorded it translates beautifully. Live, however, it took a few songs for the group to really hit their stride. I'd like to think the slow to build set was due in part to two large factors: the sound system at The Church isn't super fantastic and they played mostly new material, which means the experimental trio could still be working out the kinks. At the outset the loops and warbles of their drum machine stood out in front of the live instrumentation which threw off the balance of their overall sound. In addition, it seemed at time as though the prerecorded elements were so automated it was rushing them through their setlist.

After a few song though the incredible talent of Ryan McPhun, Amy Robinson and Bevan Smith began to overwhelm the presence of the drum machine and balance was not only achieved it was mastered. Fully embracing the African influence present on their album Sea Lion, as well as, the more tribal vibe of the newer material the live drumming pushed beats into the air you couldn't help but rock out to. They mentioned they drew a lot from the native culture to create their new stuff and once in full jam mode it got rather bombastic. By the end of their 45 minute roll I was more than excited to see where The Dodos would pick things up. I look forward to seeing Ruby Suns again, perhaps when they've had a chance to really refine the new work.

What the Dodos followed up with was nothing short of astounding. I had caught the beginning of their set at Northside this summer, where I got my first taste of the Time To Die tracks and after listening to, and fully enjoying, the full album I was anticipating a typical indie pop show. They started with Time To Die and immediately I knew they had something wholly more intense in store. Everything was pushed a little further, a little louder.

When the moment relied more on the vocals lead Meric delivered on pitch musical flow, and when joined by the others the harmonies were completely delicious.

On the many occasions when guitars and percussion got complex the group blew me away with their intensity. There is really no other way to say it than, THEY ROCKED OUT. The addition of the third member really filled out their sound. Even when they played tracks from Visiter it was much more lush. They also seem to have perfected their stage presence during their extensive touring. They impressed with the nonstop run though songs almost up until the end. The high energy set was thoroughly impressive and really sealed the deal as far as drawing the whole audience into the moment. The Dodo's have really grown into a band that I can now say securely has the potential to achieve greatness.

Tane Muhata - Ruby Suns
Paint The Rust - The Dodos

Music Makers Thread: The Dodos ... Withered Hand + Thee Oh Sees + Night Control

2009-10-11T22:25:00.002-04:00

For the second installment of Music Makers Thread I asked the Dodos which lesser known groups they have been digging on lately. In return they gave me a lengthy list of bands to check out which led me on a fantastic musical scavenger hunt. So many, in fact, that I couldn't pick just one...
Withered Hand immediately hooked my favor. Hailing from Scotland (yeah yeah I know another Scot) Withered Hand is the name Dan Willson tosses on the assorted and ever changing gang of musicians who join him on stage. His lyrical ability falls in that delicious intersection of witty turn of phrase & incredibly relate-able. Give any track on his debut album Good News (which you should buy immediately) a spin and I think you'll fully agree. And as fate would have it Dan was able to point me towards Charles Latham, a Philly singer who I will definitely be returning to in a future post.
No Cigarettes
Thee Oh Sees were another act on The Dodo's list. This psych pop groups possesses a crisply hollow sound that, when paired with the a hint of southern twang on songs like I Was Denied show the potential for slightly modified rockabilly to find its place amongst current indie rock. They are on the road now so check out their tour stops and try to partake upon their live show.
Meat Step Lively

Next up on the Dodo's suggestion thread is Night Control. Self described as "serene noise pop" I'd say Christopher Curtis Smith's music is a hai more intentional than that implies. It is carefully crafted ambient electro music that hasn't abandoned the romance of a classic pop tune. Another fine find courtesy of The Dodos who, I must remind you are playing tomorrow Monday the 12th at First Unitarian Church.

Remix Rehash: Flufftronix + 4Watt + Boonie

2009-10-10T10:04:00.000-04:00

Philly fav Flufftronix dropped this nibblet last week. Its a trippy fuzzed out take on Major Lazer's Pon De Floor. Do yourself a favor and listen to this on a proper system so you can enjoy all it has to offer.

Pon De Floor (Major Lazer) - Fluff tronix Remix

Sheenabeaston shared this mash up featuring the seminal musical track Video Killed The Radio Star. Only, given 4Watt's treatment, its a lot less sweet and much much grittier. The sticky hook is still there and but with an added smacking bass line to make it even more addictive.

Video Killed The Radio Star (The Buggl es vs Yeah Yeah Yeah) - 4Watts Head Will Roll Baby Remix

Every once in a while I will receive a witty, well witten, quirky, intriguing piece of PR. Most of the time though, once I listen to the music I realize the writing is compensating for the atrociousness of the music. This kid Boonie though scored a one-two punch. Claiming an affinity for funk and keeping an insatiable audience moving it he has created a track with a funky bass touch that proved excellent for getting me in a dancing mood. Considering this Aussie is still very young I'm sure he will only get better.

Little Green Men (Adam Zee)- Boonie Remix

We Were Promised Jetpacks + BrakesBrakesBrakes @ North Star Bar

2009-10-06T22:39:00.000-04:00

There was a UK invasion of the most enjoyable sorts last weekend up at the North Star. Scottish bands We Were Promised Jetpacks & The Twilight Sad were joined by England's BrakesBrakesBrakes for musical antics. Full disclosure, since I saw The Twilight Sat at Monolith and had social obligations that evening I did not stay for their set.

Having missed WWPJ's set at Monolith I was eager to see what these boys had to offer on stage. If you haven't made it a priority to check out their records get on it. Pronto. What you will not experience while listening to those records though is a well phrased live show supplied by a young band well aware of what it takes to sound good live.

They began with a tease of a start on It's Thunder It's Lighting and built it up to a, well, thunderous break of energy at the end of the song. The quartet's stage presence is for the most part stoic when noodling their way through their tight and alluring riffs. Focusing themselves on factors such as the nontraditional bass/drum interplay in songs like Conductor. However, on songs like Short Bursts and Quite Little Voices, when the band hits its lyrical apexes they explode with true rock out physicality. Railing on their guitars and almost howling as times into the mic. Lead singer Adam Thompson is incredibly comfortable on stage and knows very well how to manipulate the mic to project his voice perfectly for each song. There were a few off moments with his amp that he was able to quickly adapt. So much so, that had he not mentioned it, most of the mesmerized audience wouldn't have noticed the difference. They closed it out with Ships With Holes Will Sink and a drum solo that destroyed me. As this group's repertoire grows and they have more material to craft intelligent sets like they did on Saturday I have no doubt the audiences (not to mention venues) will expand as well.

The Breaks (or as they are known in the states BreaksBreaksBreaks) took the stage next with a much more seasoned and assorted set. Drawing from the talents and experiences of a group consisting of members (or past members) of British Sea Power, Tenderfoot and Electric Soft Parade the band has a lot of internal influences and it was evident in their live set. They got off to a bit of rough start, later credited to a nasty blister on the drummers hand. It seemed as though the members were just a little bit out of sync with each other. However, lead singer Eamon Hamilton managed to pull them all together within two songs of their start. Employing a little humor and some excellent vocals.

The Brakes, compared to WWPJ, have a much more weathered and varied sound. They wavered between a raucous and snarky punk side and a more traditional alternative delivery. Songs like HeyHey are infused with energy and performed accordingly while simpler romantic pop songs like Leaving England/First Dance were given a low key and tender treatment. Eamon broke any predictable pattern by dropping off beat tunes like Porcupine Or Pineapple and a cover of Johnny Cash's Jackson into line up. As they got further into their show their quality and ease became much more apparent. Had they not been dealing with extraneous annoyances like blisters and started off without a hitch I'm sure the entire set would have been just as entertaining.

The gang of three have a few more dates together stateside and if those are in your general area I'd get yourselves out there. But at the very least get down to your local independent record store and buy their records.

It's Thunder & It's Lightening - We Were Promised Jetpacks
Why Tell The Truth When Its Easier To Lie - The Brakes

Little bits of beautiful...

2009-10-04T17:54:00.000-04:00

Beth Orton is one of many artists contributing to the Judee Sill tribute album Crayon Angel. And, if her rendition of Reach For The Sky is any indication it will be a perfect cozy into fall album. It is out now on American Dust.

Lake is another band with a rotating cast of characters but the ever present Eli Moore & Ashley Eriksson have a true talent for crafting a retro tune. With a hint of 70's folk pop they are about to hit the road to support their recent release Let's Build A Roof. Check out their single Don't Give Up and see if its the kind of thing you might dig. I have a feeling they do quite the live show.

There are a few things that tend to get me really quick and Mumford & Sons possess quite a few in the highest of quality: breath taking harmonies, British accents, a stand up bass player and banjos. I came upon the new video for White Blank Page over at the superb Song By Toad and was excited to see they are finally releasing a full album. Sigh No More comes out on Tuesday and they will be doing a few shows in the States in the next few months. Here is another excellent video for the song Little Lion Man

The Eels released an album, El Hombre, earlier this year that was front man Mark Oliver Everett's take on love in all its forms. True to their straightforward style the album is a very honest depiction of what, good and bad, love can bring. When this video was released I felt it was most appropriate. And, despite the fact that I am not the biggest Lakshmi fan I still feel compelled to share.

That Look You Gave That Guy

Au + WHY? @ The Church

2009-10-03T00:29:00.000-04:00

Last night's show with Au & WHY? was one of those cases when the venue was an integral part of the overall experience. Both bands elicit such raw experiences it is entirely fitting to see them in the informal setting The Church provides. Au took the stage in the basement of The First Unitarian Church [and yes it is the prototypical "church basement," wood paneling and all] and immediately tore into their undefinable psych-folk-rock set. They led with a bass heavy version of Ida Walked Away that pulsated and built to epic proportions then tipped right into Boute a ditty which leans towards the lighter side of their repertoire . The thought that went into the set list was evident as their show unfurled.

Playing songs old and new Dana (drums) and Luke (every other instrument you can imagine) took turns displaying their astounding musical ability. Dana is an athletic percussionist often standing to work over his expanded kit. When listening to their record you don't fully realized the numerous roles he is taking on with his drums, often picking up the bass line or supporting Luke's rhythms. When you see them live however, you recognize the true brilliance of Au's approach to music.

Luke's arrangements, despite their intricate layers, are incredibly fluid. Lending them a true sense of experimentalism. Regardless of which instrument he is wielding you have a sense he is perpetually exploring its full potential. Always pushing for a distinct sound to add to the mix. The two new songs they played suggest their next album will be a tad more dramatic and I cannot wait to see the scenery it paints.

Why?'s set melded seamlessly with the vibe Au established. They are smooth, real smooth and immediately chilled out the audience with their genre defying set. Beginning with their mellow rap on The Hallows and rolling into a set that selected heavily from Eskimo Snow (their most recent album) as well a Fugazi cover. The crowd, and this girl, loved it all.

The stage presence of the entire crew was incredible easy. They have the energy of an electronic act with the rootsy grooves of some of the finest jam bands. The bass lines were deliciously juicy. One of the characteristics of Why? I enjoy the most is their ability to use bass and hooky electro riffs to soothe people into really listening to their fantastic lyrics. There was something for everyone to enjoy in last night's performance. They absorbed the appreciation of the crowd and, in return, provided an musical experience I would solidly categorize as addictive. The two song encore was a most perfect conclusion to the evening. I consider it a privilege to have been part of such a divine show.

Ida Walked Away - Au
This Blackest Purse - Why?

Mark Mallman @ The M Room

2009-10-01T08:23:00.001-04:00

Mark Mallman is an amazing entertainer. This is a truth I've known for years but was driven home last week during his show at the M Room. Despite some factors that would have frustrated any other performer [horrid openers who did very little to build the audience, a work night show and incredibly weak attendance] Mark put on a show as if he were performing in front of a mass of adoring fans who were rocking out to his addictive beats.

This time around Mallman brought a drummer, his sturdy keys, his own light show and some snappy white jackets. Taking the stage late he launched immediately into a mix old and new material. His stage presence is as dynamic as his music, throughout his set he mounted his keyboard now fewer than 10 times. While doing his most recent single You're Never Alone In New York he took this position to sing down high his ode to the city that never sleep.

When listening to his music it is undeniably high energy but when you experience the live delivery the energy is visceral. This is entirely intentional. Mallman has mastered the elements that pull all of his strengths together; the feisty conquering of the stage, lights that accentuate his mania and the incredibly taut drum accompaniment. To top it off he played Knockout On 22nd at my request. The his set could have only been better if he hadn't kept it short to please the tired sound guy. He mentioned he will be back this way before the end of the year and, seriously people, do NOT miss it.

The Buffetlibre Crew Team Up With Amnesty International

2009-09-30T15:48:00.000-04:00

After putting together some of the finest music projects to date the Buffetlibre DJs are reaching for new heights. Pairing up with Amnesty International to present exclusive tracks from artists all over the world to raise funds for AI's humanitarian efforts in areas of conflict. The list of participants is astounding...

The Veils • Micachu & The Shapes • Fanfarlo • Frankmusik • The Antlers • Port O'Brien • I’m From Barcelona • Apostle Of Hustle • Bonde Do Role • Vieux Farka Touré • Ra Ra Riot

The list seriously goes on around the world. The album will be available via digital download in January 2010 for a minimum donation of 2 EUROS. I, for one, am terribly anxious to hear the entire thing; however, these few samples should help in whetting your appetite.

The Spinto Band- Mr Blue Sky (ELO cover)
Darren Hayman - If You Were Here (Thompson Twins cover)

Remix Rehash: Jump Club + Frederick Carlsson + Borracho!

2009-09-29T22:15:00.000-04:00

Jump Club
The gentlemen of Jump Clubb hail from LA but that's about all they are willing to divulge about themselves. They will, however, share their "no dance" music freely. Intended to inspire you to think before you leap on to that dance floor. When I read their interestingly cerebral approach to the usually carnal world of good dance music I couldn't resist. And upon hearing A Frozen Hug I think they're dead on with their description. It certainly makes you want to move but the reasons why are up to you to figure it out.

**UPDATE**
new mixtape from Jump Clubb for your <3ing

A Frozen Hug

Frederick Carlsonn Continuing on with the dance theme I give you the "Swedish dance D'artagnan" Frederick Carlsson. Mando Diao's hit gets a fabulous treatment and makes you want to groove out even more. To speak from personal experience, this track is ideal for taking a break from your work or stress and dancing around like you're starring in your own iPod commercial. Get it.

Dance With Somebody (Mando Diao)

Borracho
To send you off right I thought I would share with you this fantastic 45 minute set orchestrated by Borracho at a gig in Argentina. I'm sure you're with me when I say I would've loved to be there for it live but the next best thing is to savor it be it while you're at your desk, in your car, at the gym or wherever. Its all good.

Full Length September Mixx

New To Know: The Grand Archives + Pet Ghost Project + Serengeti & Polyphonic

2009-09-29T21:23:00.000-04:00

The Grand Archives
This album is so very many things calming, curious and beautiful. The group initially intended it to be a rock album but what their organic recording process shaped was something entirely more evolved. The lyrics, tender and intelligent, are delivered with crisp harmonies. The instrumentals, created by the usual as well as the unusual (a giant glass harp), surpass the "experimental indie band" cliche with such grace you almost miss its brilliance. But the patina Keep In Mind Frankenstein wears gets richer with every listen. Get it now! They will be in Philly at Johnny Brenda's on October 7th
Oslo Novelist

Pet Ghost Project
This trio has been on my radar for a long while bliping a little louder with every new recommendation. I finally got to catch a live set at the Danger!Danger! Gallery a few weeks ago. They were set up in the spaces basement and it was the perfect setting for their gritty aggressive rock. It is a group lead sonically by the bass and drums rather than by a guitar and vocals. Its a dynamic befitting their raw visceral sound. The drummer and the bassist exchange roles and can do so seamlessly because they both posses the level of dexterity and skill necessary to make those instruments step out front and shine. I really look forward to their next Philly foray, hopefully with a better sound set up next time.
Power Symbol

Serengeti & Polyphonic
Serengeti, the rapper, and Polyphonic, the producer, both bring a lot to their collaboration. Clearly there is an abundance of talent but, beyond that, there is a wealth of music knowledge (both have studied/nerded out on everything from classical to hip-hop) as well as actual life experience. The samples and instruments used to construct Terradactyl stretch the norms of each component. It would seem Serengti & Polyphonic have, together, realized the potential evolution for inter-genre hip-hop. Now it is up to us as the audience to generate the demand.
My Patriotism

Monolith Recap Day Two

2009-09-23T18:01:00.000-04:00

Day two of Monolith was a vast improvement on Saturday. There was a little falter at the beginning when a late cabbie meant missing We Were Promised Jetpacks. But, we did get there in time for ...

The Grates
I have long adored this Aussie group's addictive pop music and had heard a lot of great things about their live show. So, I was pretty excited to see their set. Lead singer, Alana, was the embodiment of cheer. Championing the Grates cause to get everybody moving and happy. It was a fantastic way to start the day. If you haven't heard them here's a taste of what they sound like live. Suckafish at the Knitting factory.

Rahzel
While The Grates were on the SoCo stage Rahzel was entertaining on the main stage. Considering it was his beat boxing that first really pushed me towards the world of Hip Hop I couldn't miss his bit. He was every bit as amazing as I was expecting. The man's ability to throw his voice and imitate well, anything is astounding and his years of experience made for a flawless show.

Monotonix
I'm not gonna lie, Monotonix isn't my bag; however, watching the spectacle they created was a little amusing. They prefer to do their thing from crowd level (ie the press pit) forcing the misplaced photog's and other assorted media to the stage. It was a unique sight to behold. The Thermals
Next up were The Thermals. They served up a sharp thirty minutes which really woke up the festival goers up on the plaza. This trio had so much fun on stage it would have been had to ignore them even if their music weren't so incredibly awesome. I am glad to say my first live dose of them was at Red Rocks.

Passion Pit
Regardless of how you feel about Passion Pit this was the most breath taking set of the weekend. It is undeniable that their electro pop music is catchy and the lengthy stints on the road have transformed them into total crowd pleasers. With the lighting and a day of fantastic music tucked under our belts Passion Pit's dancey set was a delectable dose of dance music at just the right time. Sleepyhead - Run Toto Run

Bad Veins
Chased Passion Pit's set underground on the WOXY stage. Having just seen them play in Philly to a dismal showing it was nice to see them get the audience and response they deserve. Ben was ever the showman while Sebastian wowed on the drums. They are coming back to Philly with The Subjects in October.

There were a lot of other acts we heard on Sunday. Some notable mentions:

Tigercity • Health • Neon Indian • Twilight Sad

Why am I not giving them blurbs you ask? Because their stages were "closed" when the rooms they were in reached capacity. But, from the hallway I can tell you without a doubt they were fantabulous.

Phoenix
Hands down the best act of the weekend was Phoenix's show. Originally slated for the SoCo stage for a 30 minute set ealier in the day they were moved to the main stage when MSTRKRFT had to cancel due to illness. Groups were shifted around. Passion Pit taking Phoenix's space and Phoenix stepping in for MSTRKRFT.

I can't imagine it falling any other way. The French electro pop group filled the entire 45 minute with a flawless set touching on both their older, lesser known hits, as well as, the big crowd pleasers from Wolfgang Amadeus Phoenix. They brought the entire amphitheater to their feet and kept them dancing, singing and simply celebrating the beautiful night and fantastic music. There wasn't much stage banter but it wasn't necessary as the progression of songs was well thought out and delivered perfectly. Impressed doesn't even begin to cover what I felt after watching these veteran (but, clearly still contributing kick ass tunes) pull together a main stage worthy performance at the very last minute. I left feeling entirely satiated by my first Monolith experience. I look forward to seeing what kind of line up they assemble next year.

Monolith Recap Day One

2009-09-20T17:48:00.000-04:00

I made the trek out the infamous Red Rocks for this year's Monolith Music Festival. It had a stellar line up and I was badly in need of a little mountain time. So tickets were bought, flights booked, must see lists drafted and hoodies packed.

Things were looking good Saturday morning and true to the fickle nature of nature the weather toyed with us. The rain rolled in about a third of the way through the day and, due to minimal places to hide away from the elements and to the fire marshal lock down imposed on the inside stages I wasn't able to make it to all my targeted shows. However, the ones I did catch were fantastic.

Thao & The Get Down Stay Down
This fiercely awesome lady opened the day for me. Thao and her fellas rocked out a lot more than I was expecting. Listening to the recorded version of her stuff then seeing her live I have a much greater appreciation of talents.

Frightened Rabbit
This was the fifth time I've seen Frightened Rabbit and I never tire of their exceptionally sincere delivery. They have some of the best lyrics and energetic instrumentals to begin with but they take it to a much more alluring and intriguing place with their live show. The entire group plays/sings their heart out on stage; this, combined with their evident comfort and fun they have playing together makes them one of my favorite bands to see. They tossed out some of their new stuff and, upon that first listen, I'd say they aren't slowing down anytime soon.
**I would like to call attention to the shirt the drummer,Grant is wearing ^

Edward Sharp & The Magnificent Zeros
I was terribly curious about ESTMZ. I rather enjoyed their first single, Home and the whole group-of-feel-gooders-taking-to-the-road-to-spread-their-sound thing does nibble at one's attention. I can now say with 100% certainty they are pure delight. I got the best energy from them and their music is even more enjoyable in person than it is recorded. They were a ray of light as the clouds got thicker. They're coming to the Church on Nov 15th.

The Pains Of Being Pure At Heart
As things really got chilly and damp Pains took the SoCo stage. Appropriate right? Theirs was a pretty standard POBPAH show. Shoe gazealicious and transfixing. The crowd was feeling them full on as they provided the perfect soundtrack for the drizzle.

The Answering Machines
This British trio won my heart. I hadn't heard anything from them before last weekend but was immediately hooked. They play the catchiest of pop songs that you can't help but repeat over and over and over again. The added bonus is that they are the most adorable of kids at the very beginning of a head long tumble into the hearts of the masses. Watch this clip from WOXY's coverage of Monolith.

Thunderheist I had heard good things about Thunderheist but went into their set virtually ignorant of their true awesomeness. They are a unique duo; the incredible MC Isis doing vocals with the spot on Graham Zilla on the table. It was a clean set with a fresh delivery. Great surprise and I look forward to catching them again.

There were two groups whose shows I had to simply listen to from the atrium of the visitors center. Because so many people were digging The Antlers and These United States I wasn't able to get into the WOXY stage. What I heard was awesome and I couldn't be happier both bands were packing it in.

If you're looking for more coverage from Monolith stop by My Old Kentucky Blog's LaundroMatinee or WOXY and if you want to see ALL the pictures from the whole weekend stop by TWIAPC's new FLICKR page.

What's Going On With The Dodos

2009-09-17T10:16:00.000-04:00

The Dodos are about to embark on a full US and European tour to support their freshly released album Time To Die. Before they do though, I got the chance to pick their musical brains

TWIAPC: Did your experiences touring for Visiter influence the songs that made in on to Time To Die?

For sure, Fables is a good example. Not only is it one of the only TTD songs we were playing live last year but the lyrics pertain directly to the madness that touring off of Visiter generated.

TWIAPC: As you've built up your sound and audience are there any opportunities to experiment/collaborate/perform you'd like to see happen?

Our songs, by the time we take 'em to the stage, are usually pretty locked into a structure. This limits a lot of experimentation but there is something coming up on the horizon that I don't know if I can reveal yet. It involves a large ensemble interpreting our songs with us live and I'm pretty excited about it.

TWIAPC: What was the biggest difference in recording this time around?

As the drummer, playing to a click. It was quite difficult at times but by the end of the process it really showed me a lot of my ingrained habits, broke them down and made me a more sensitive player. I think it's a lesson I needed to learn but maybe not something I want to do as much of in the future.

TWIAPC:I understand you were a cook for a while. What kind of things do you listen to in the kitchen?

I don't think he (Meric) was allowed to listen to music in the kitchen as it was adjacent to the dining room, but he often told me he would spend his shifts singing maniacally and annoying the hell out of his coworkers.

TWIAPC:You guys are facing quite a humdinger of a tour what kind of rituals or habits do you guys resort to when on the road for lengthy bits of time?

As I'm finally getting over the fear of hurting my hands on tour I'm gonna bring my skateboard on the next American trek. So the daily ritual will probably include a cruise around the parking lot and then on with the usual stretch/tigerbalm/find a towel/drink a beer/play show thing.

The Dodos will be skating the streets of Philly October 12th then playing a show at The Church. Get out and catch their fantastic live show, vibraphone and all!

Here's a capcha from their Daytrotter session - Paint The Rust

And here is a great video from The Shoot Music Don't They with the fellas on the streets of Berlin.

Sammy Bananas plays with Kid Cudi

2009-09-16T21:50:00.000-04:00

Sammy Banana's first remix for one of the big dogs (universal) leaked this evening. He just left for a quick Euro tour, you know Like ya do, but will be back to his old tricks and usual gigs .

Kid Cudi-Make Her Say ft. Kanye West & Common (Sammy Bananas Remix)

Pavement Is Back & Pet Ghost Project Has A Cover

2009-09-16T18:03:00.000-04:00

Pavement will be back next September with a benefit show on the Summer Stage in Central Park. To celebrate I thought I would share this cover of Box Elder as done by Brooklyn's Pet Ghost Project. Now go get your ticket acquisition plan in order.

Monolith Photo Teaser

2009-09-15T11:09:00.000-04:00

So, the full posts and reviews about the musical acts seen last weekend at Monolith are in the works but I thought I'd share a bit of the imagery from this weekend. The first shot is from the top of the amphitheater where the Main Stage was. Amazing view, especially Sunday when the skies were clear.

For Monotronix the Press took the stage while the band freaked out amidst the audience. Certainly changed things up and even more certainly messed with the wee altered minds of those trying to push towards the center of that insanity.

There were all sorts of interesting people watching. Some clearly put a lot of effort into their Monolith look(more than one clown costume and native ameican head dress were spotted). Other's literally just rolled out of bed (the scene must haves: Camelbaks, dugout, and trendy but functional layers). But the two fellas who really grabbed my eye were the ones captured above. Look closely, admire and tip your hat to whatever process, chemically induced or not, brought them to Red Rocks in all this glory. And yes, there is a ginormous inflatable bottle of Southern Comfort in the background.

And your parting shot from the best set all weekend. Can you figure it out?

River City Extension @ The Fire

2009-09-11T12:22:00.000-04:00

Ever since I caught River City Extensions' lead singer Joe do a solo set earlier this summer I have been anxious to see the whole six member crew perform live. Finally I had the chance to see them last week and it was far more incredible than I was expecting.

Like the Avett Brothers, their record (while entirely enjoyable) falls a little ahead of the pack while their live show is amongst the best I've seen this year. The music also has a vastly different vibe from the alt country sound of their recorded material. Instead, it is southern rock with heavy punk influence. RCE consists of the usual bass, guitar, drums as well as a cello, floor tom, assorted horns and percussive implements; and, this septet do their thing with a degree of energy and enthusiasm that could almost be considered another instrument.

The openers were ok but did very little to amp up the audience for the kind of intensity RCE had to offer. 3/4's of the way into their first song though they managed to draw people in from the bar and get everyone on the floor moving. Each member, regardless of the instrument's traditional roll in a band, plays in such a way that makes you really pay attention to who is carrying the rhythm, who is laying out the melody and who is providing the chaotic pulse that typically drives their songs. The cello, played by the v. talented Jenn, provides a soaring thread to tracks like Elephant while also managing to rock out on others.

Watching them play I realized that RCE is one of the few bands whose bassist takes more than a supporting role. In a few instances James carries the melody so deftly it pushed the floor tom to really pull out more of those juicy bass tones. The percussionists both took turns picking out lines in each song to emphasize or challenge to really build the depth of RCE's overall sound.

Oh, and I can't forget the horns. Switching between a baritone horn and a trumpet I really enjoyed the character and punkishness he brought to the floor. Often he served to reign in the massive storm of percussion but not without adding his own flair. Joe,the circus leader and head vocalist, was playing through a bloody finger but didn't let that effect his delivery. Just as sincere and balls out as he was when I saw him play solo there was a raw emotional element on display when he was on stage interacting with the full crew. Tearing through Clever & Quickness I was in awe watching them all push it a little harder. On the songs, like (I Had Thought About This In) Marc where everyone sings you really feel their charge at full force.

Watching them during their last song, as they played acoustic in the middle of the audience, I got that feeling in my stomach that these guys are headed for much bigger venues. I can only hope their next album harnesses the power of their live show. If you're in the NJ/NY/PA area try to get yourself to one of their shows. They are playing Philly again on the 25th at the North Star Bar.

(If I Had Thought About This In) March

Monolith Pregame Round 4

2009-09-11T06:54:00.000-04:00

Today we're messing around in Breckenridge enjoying the mountains and the beautiful fall colors. Basically though, I'll be relaxing so that I can power through my extensive show schedule for the next two days. Here is my final installment in the Monolith series.

Phoenix

Phoenix - Lisztomania from KEXP RADIO on Vimeo.

They covered Air's Playground Love live on NPR

Frightened Rabbit
This is quite possibly the sweetest video ever.

Last Tango In Brooklyn (via Glorious Hum)

The Walkmen

Rahzel

Monolith Pregame Round 3

2009-09-10T06:40:00.000-04:00

Well folks, I have arrived for a little play time in the mountains before digging into the plethora of awesomeness being served up at Monolith Saturday & Sunday. Tonight's schedule is far more laid back; BBQ, beers and football. But before that begins I want to share with you some more of the acts on my "to see" list. These are all towards the top (ie, you'll be reading posts about them next week for sure)

Ida Maria

Ida Maria - Oh My God from John West on Vimeo.

Yet again Daytrotter caught the essence of Ida in We're All Going To Hell, another song with personal anthem potential.

We Were Promised Jet Packs

Thao with the Get Down Stay Down

Pains Of Being Pure At Heart

The Love Language

The Grates

Burn Bridges

Monolith Pregame Round 2

2009-09-09T08:01:00.000-04:00

I am currently packing my bag and running around like a crazy person getting ready to leave for Denver tomorrow. These are four more acts I'm looking forward to seeing at Monolith. All of these performers (and most on my "must see" list) understand the importance of putting on a show vs. being on stage and playing instruments.

Bad Veins

Untitled from Bad Veins on Vimeo.

Way back on '08 these fellas did a stunning version of Fake Baby for Daytrotter

M Ward

Here is a tasty treat, M covering Bowie's classic Lets Dance on KCRW

OK Go

OK Go in Madrid from pukilin on Vimeo.

Glitch Mob

Monolith Pregame Round 1

2009-09-08T06:51:00.000-04:00

In preparation for Monolith Music Festival next week at Red Rocks I have snagged videos from the acts I'm most looking forward to seeing. I'll spread it out over the next couple of days for your continued pleasure. Enjoy the show!

The Thermals

Edward Sharpe & The Magnificent Zeros

Daytrotter just captured Home beautifully.

Depreciation Guild

Health

Remix!: Before Tigers (CFCF)

Woodhands

Music Makers Thread: Dinosaur Feathers > The Darlings + River City Extension > Hezekiah Jones

2009-09-05T22:05:00.000-04:00

Lately I have gotten in the habit of asking bands about other acts they've performed with/heard/respect that may benefit from a little more attention. So far the results have been fantastic. I have discovered a whole mess of new groups and since its what I do I'm going to start sharing them with you. Starting with this twofer.

The Darlings were brought to my ears by Greg Sullo the lead singer of Dinosaur Feathers. While discussing what promising indie pop there is out there today he dropped their name and when I said I wasn't familiar with them he gave me a look that implied I needed to immediately get my hands on some.

I have been beyond plused by their work. There is a Pogues-esqu balance in their arrangements with smart lyrics delivered sincerely (even if that means agrily like on If This Is Love) while
punkier instrumentals keep you on your toes and wanting more. They have been getting some excellent, and well deserved, press and I'm glad to add my ups to the pile. Try these two tracks on

Teenage Girl • We're Not Going

and, as always, support the live show. The Darlings will be in Philly on the 19th if you're free get yourself there.

Hezekiah Jones is a group suggested by James of
River City Extension [who are playing at The Fire tomorrow night incidently]. HJ is a group that records with a whole troupe of contributors and then performs live with whomever is available and both deliveries a equally delectable. Perhaps due to the rotating cast's constant; Raphael Cutrufello. Cutrufello writes the songs and provides lead vocals as well as a number of other instrumental noises and does so with luring beauty. His voice is clearly informed by the folk tradition but maintains an authentic indie balladeer vibe pushing HJ's songs towards a really fresh end of the spectrum. This ripe flavor is made even more potent by the variety of "instruments" used to create arrangements surrounding the vocals. Whether the song calls for sweet lilting support from a guitar and tender harmonies or raucous banjo strumming and banging pots and pans there is always the right mix there to create the perfect sound.

They cover a range of topics from love to politics and all of it draws you in, makes you think and more often than not bob your head in time. Hezekiah Jone performs quite a bit in Philly and the surrounds so you should have no problem catching the live action. In the mean time start your collection with these two superb tracks:

Mississippi Sea • Cupcakes For The Army

Hezekiah Jone photo courtesy of Lisa Schaffer

Sounds Good Right?: Our New Calendar

2009-09-05T19:02:00.000-04:00

Want to stay updated on what shows I'm looking forward to? Subscribe to the calendar. I'll be posting it monthly just to keep your lazy folks tuned in but if you want to know every time I add a show or event then hook yourself up.

Noise Addicts: It Was Never About The Audience

2009-09-03T11:37:00.000-04:00

Ben Lee has brought the gang back together. 14 years after they first futzed around together, and after some v. successful solo/side projects, Noise Addicts has put a new free album out there for mass consumption. Recorded on a whim (of sorts) the playfulness and quirky but intelligent lyrics are still there. You can download it here: NOISE ADDICTS . It will bring genuine playful joy to your day, guaranteed.

Remix Rehash: Tiga + Melechtric + Kolt13 + Dave Wrangler

2009-09-02T21:00:00.000-04:00

S heenabeaston is responsible for bringing this track to my life. In a post I can do nothing but support and sympathize with ie. a massive dump of stuff just to catch up. So, if you enjoy this raga-ish undeniably move busting track check out the rest of what the lady's got posted.
Jump Up 2 This (Major Lazer vJack Beats) - Melechtric Remix

When this track bounced my way I was in a total new wave mood so I'm not sure if that is why it sits so well in my ears but I have hit the repeat on this one numerous times and at a certain point a girls gotta stop trying to figure out why and just go with it. Your turn...
Beep Beep Beep (Extended 12" remix) - Tiga

The brilliant Pasta Primavera posted this cross between spacey synth and old school rhyming. Mr Wrangler has touch when it comes to mash ups. Finding the right way to pull these to together is an sign of true skill. Its like they were meant to be.
I Got Soul vs National Anthem - Dave Wrangler

The original in this case is magnificent on its own but with Kolt13's spit and polish it carries it an anthemic place. Push it at just the right places and holding back to emphasize the build. I applaud thee.
1901 (Phoenix) - Kolt13 Remix

Checking In With Drink Up Buttercup

2009-08-31T23:33:00.000-04:00

While I was up in Brooklyn this weekend for After The Jump Fest I had the pleasure to chat with Philly's own Drink Up Buttercup. These four gents have come quite a way in the last few months, amassing their energy, talent, passion and dollah dollah bills to make a running leap into the wider world of indie music. Beyond increasing their number of shows this has mainly meant going into the studio to record their first album. According to Ben [bass, general chaos] there wasn't one way they went about trying to capture their unmistakable live sound, there were many ways. Depending on the song they adapted their recording style. At times parsing each member's contribution and laying them down separately at others all four of them piling into the studio together. Not surprisingly, James [guitar, vocals, ring leader] admitted, the exactness of the click track didn't really mesh with DUB's heavily improve nature. So, more often than not, they ended up scraping convention and tearing it up in the studio. Those tracks are now in the finishing stages before the public gets a little taste of what is to come with the release of their first single this fall.

Catching their gig this weekend the was, once again, a noticeable improvement of their delivery. For those of you who are unfamiliar with DUB's raucous shows, they make their music with garbage cans, tool boxes and an assortment of other odds and ends, as well as, the usual suspects (bass, guitar, drums). When there is that much involved there is a fairly good chance that what will come out is unformed, aimless noise. Not in the hands of these fellas though. Their outrageous energy is tamed by a clear vision of where they are taking their audience and shaped by adept musical skill across the board. Watching them over the last few months I have seen them become much more comfortable on stage which has served to fully round out their sound. Taking this show on the road will, no doubt, build up Drink Up Buttercup's following. Rippling out from their tight Philly base to claim members in each stop along the way.

Despite the growing momentum, and crazy tour schedule staring them down, they all remain relatively unphased by what is to come. They're winding down their day jobs, planning the video games arsenal to be packed and spending a little quality time with their Philly crew in preparation for the road. And, in a few weeks they will throw their garbage cans, beat up tool box, toys and the rest of their instruments into a van and head out for an indefinite tour of the east coast. And, while I'm sure they'll miss all that home has to offer and have to partake in some shmoozing that is counter to their antisocial ways it is clear the minor impediments are no threat to need they have to make their music.

Be sure to get yourself out to see them now while their playing the small venues that truly complement their offerings. It will be a night to remember.

Gods & Gentlemen

New To Know: Fitz & The Tantrums + The Drums + We Were Promised Jet Packs

2009-08-25T17:00:00.000-04:00

I'm feeling a little retro with this week's NTK picks.
Fitz & The Tantrums - Breakin The Chains Of Love

I have been hoping someone would champion the return of good Motown soul sound so when this gem was delivered to my in box I'll admit I was as giddy as a school girl. There is a lot to enjoy in Fitz's sound. There are danceable melodies and easy lyrics to sing along to and it all leaves you feeling that much happier. Fitz's vocals are smooth and truly reflect the feeling of the era he is trying to replicate. I cannot wait to see this act live and hear what else they have to offer.

The Drums - Let's Go Surfing

This video when I first saw it struck me as a nice trip back to the halcyon days of The Beach Boys and beach blanket boogies. Now, I'm not saying The Drums are of Beach Boys quality but there is certainly promise there and they can really create a wholly enjoyable and smart aural experience. As a project by a couple of best friends it is pretty easy to understand where they draw the "fun" that is undeniable in their music. They will be releasing their Summertime EP on September 15th with a full album dropping sometime early next year.

We Were Promised Jetpacks - Ships With Holes Will SinkThese boys don't really fall in my retro theme but anyone who has been reading TWIAPC for a while knows I have a total weakness for Scottish bands. I had heard WWPJ a little last year but it wasn't until I gave a good bit of ear time to These Four Walls, their most recent album, that I realized they wickedly talented. Much like Frightened Rabbit they are capable of building a song from an initial balladish melody into jangly epic pulse racer. Their drummer provides a strong slightly frenetic beat to which loud but tight guitar riffs are added and subtracted to fit the phrase of the song. They are addictive and I'm really looking forward to seeing them in October when they pass through town. Download These Four Walls and listen to the full thing. Its all good. **photo courtesy of Neil Thomas Douglas

After The Jump Festival: Philly Representing

2009-08-24T10:55:00.000-04:00

Have you been looking for an excuse to get up to New York before summer officially turns into fall? Look no further. After The Jump Fest is this weekend and Saturday they will be featuring two of Philly's newest buzz bands Drink Up Buttercup & Fr ee Energy. One day tickets are only $10 and you will be supporting Philly music on NY turf.TWIAPC favs, Dinosaur Feathers, Holiday Shores, Das Racist & Suckers will also be performing. I can't imagine a better reason to swing up NY way.

Summer Swoon: An Assortment of Covers

2009-08-23T20:32:00.001-04:00

We've had a string of lousy hot days lately. They drain you of all your energy, make you want to wear as little as legally possible and make a trip out for water ice/cold beer/gelato an essential part of your daily routine. During one of the few times I have totally succumbed to the humid beast and lounged about contemplatin life I assembled this list of love songs covers that are appropriate for such sweltering lazy summer days.

Nothing Matters When We're Dancing (Magnetic Fields) - The Antlers
The Antlers have been getting a lot of murmuring as of late and this cover of indie darlings Magnetic Fields is a excellent example of their skills. Its slow and beautiful, respecting the original's ethereal-ness. If you like this listen to their own stuff its fantastic too.

Chasing Cars (Snow Patrol) - Natasha Bedingfield
Snow Patrol's original is fantastic love song but when Natasha Bedingfield wraps her superb vocals around it new depths are discovered. The sparse accompaniment counters her delivery quite nicely.

To Love Somebody (The Bee Gees)- Damien Rice & Ray LaMontagne
The brothers Gibb don't get enough credit from our generation. Beyond their work on Saturday Night Fever they produced some notable singles. This track is amongst the best and when in the care of Damien Rice & Ray LaMontagne it becomes sigh inducing.

Whole Wide World (Wreckless Eric) - Elvis Costello & The Attractions
Fans of the movie Stranger Than Fiction [the scene with the flours is one of the best romance scenes in the last ten years] and the television show How I Met Your Mother know the soundtrack moment perfection this song is capable of delivering. Elvis Costello's live delivery is almost as good as Will Ferrels version in the movie but it suffices.

Pain In My Heart (Otis Redding) - Grace Potter & The Nocturnals
Grace Potter has pipes and that's what it takes even attempt Otis. While this may not be your typical love song that doesn't mean it isn't the love song some people needed to hear this summer. Ms. Potter puts a masterful bit of soul into this version the does anyone's heartache justice.

Into The Mystic (VanMorrison) - The Swell Season
To close things out I give you an Irishman covering a fellow Irishman. I'm anxiously waiting the Swell Seasons new album (due out this fall) and find myself resorting to relistening to everything of theirs I have. Hansard puts his all into his take and you get the sense he has been covering this song for a long while.

Remix Rehash: Skinny Friedman + CJ Milli +Wallpaper+ Architecture In Helsinki

2009-08-19T22:31:00.000-04:00

It has been a chaotic few days around these parts. I have moved my sister into her 6th floor NY walk up, moved myself into my new 5th floor Philly walk up, hit two major deadlines at work, had a pretty unexpected element of a project I'm working on fall apart at the v. last minute and finally I have been knocked into a wonderful new world of bloggerness with all the #replyall
shenanigans. Finally, things are unpacked (mostly), project is on the mend, and new forums and groups are being formed and my mind is coming together. But, I hope you can understand that this week my remix preferences leaned towards more chill tracks. And these were the best of what I discovered...

Skinny Friedma n one half of Philadelphyinz sent me this retake on Bon Iver's Blood Bank. Its bass heavy and even more spare and hollow than the original. Scaling back when it comes to remixing takes real skill and Skinny Friedman de-liv-ers.
Blood Bank (Bon Iver)- Skinny Friedman DJ Edit

The Very Best is an international outfit (hailing from London and Malawi) that combines the "catchy" of quality afro pop with the smarts of indie music. Their newest single features Ezra Koenig (he of Vampire Weekend fame) and this remix by Architecture in Helsinki tosses in a marching band feel that just tickled me.
Warm Heart Of Africa - Architecture In Helsinki Remix

Mason Proper is playing the remix game by releasing a whole EP of remixes of their stuff. This one by Wallpaper has a mid-90's tasty candy shell. It made me want to do the Carlton dance and toss in a bit-o-disco to fully appreciate everything this has to offer.

Safe For The Time Being (Mason Proper) - Wallpaper Remix

CJ Milli came back at me after my last post of her skills with this CeCe Peniston vs FACT (Mstrkrft remix) and it so screams of summer that I used what little energy this stupid hot weather hadn't sucked from my body.

Finally, Los Angeles - CJ Milli Remix

And now that I've set you up with some delectable soundtrack fodder for your evening I'm going to enjoy the deck of my new place...

Free Energy Video- A Little Something For Everyone

2009-08-19T12:24:00.000-04:00

Free Energy dropped the first video for the song Free Energy. There is so much to love in this video. For some of you Philly folks you'll recognize the No Libs locations and perhaps some of your favorite locals rocking out. For my fellow '04ish Carls there's a lot to enjoy as well (ahem Evan grooving). And for those of you who simply dig Free Energy its a really fun video that nails the vibe of the group on the head.

I pass a iron clad Well Done! To the folks over a M ss ng P eces for a job well done.

Here is another Free Energy bit for you to enjoy

Dream City